Dawn Pisturino's Blog

My Writing Journey

What I’m Doing Right Now

Photo by David Pennington on Unsplash

Hello!

So, what am I doing right now?

I submitted two short stories to Masticadores India, and I’m waiting to hear back on publication dates.

I submitted another poem to Masticadores USA, and I’m waiting to hear back.

I submitted a poem to the Arizona Authors Association Literary Contest. I will find out later in the year the results of that submission.

I submitted a poem to Spillwords Press, the first time I have done so. I had technical trouble trying to submit it, but after several attempts, it finally sent.

I submitted a poem to David ben Alexander’s The Skeptical Kaddish Poetry Partners.

I’m waiting for the Wounds I Healed: The Poetry of Strong Women anthology to be released.

I have several short stories to finish and novels that I’m working on. There aren’t enough hours in the day to do everything!

~

A few months ago, I finished reading 1,000 pages of the complete works of Edgar Allan Poe. It took me forever to read because a lot of it was rather boring. I got the bright idea to read the complete works of H.P. Lovecraft. Two thousand pages later, I can honestly say I have read all of his works. I finished last night, and boy, was I happy! I love his ability to create a dark mood, but a lot of it was redundant. Truthfully, in both the case of Poe and Lovecraft, only a few well-written stories and poems really stand out.

I bought a bunch of mysteries at Barnes & Noble when I was in California, so I am moving on to those. My brain needs a break from the dark and heavy stuff.

~

On Paramount+, my husband and I are watching The Offer and Joe Pickett. He watches all the Star Trek/Star Wars stuff. I’m waiting for the next season of Evil to start. I like my British and Scandinavian detective shows on Acorn, BritBox, and PBS Masterpiece. Recently, I have found some French detective shows that incorporate paranormal overtones and which have turned out to be pretty absorbing.

~

I’m updating and improving my author resume website at http://www.dawnpisturino.org (please check it out!) and all of my social media sites.

~

I’m working on losing the weight I gained in California (too much restaurant food – Armenian, American, Italian, and Japanese), taking walks, exercising, and doing other healthy self-care stuff. I like to sit on the front porch every evening with the dog and read and watch the wildlife. It’s very relaxing.

~

And, I’ve been listening to one of my favorite classic rock bands: The Doors. Listening to them puts me in an altered state of consciousness.

(“The End” by The Doors – Warning: contains references to violence)

“All the children are insane.” Sound familiar? The violence happening now is a culmination of several decades of post-World War II social dysfunction.

It was Jim Morrison who famously said: “I don’t know what’s going to happen, but I’m going to get my kicks before the whole sh*thouse goes up in flames” – referring to nuclear war, which still remains the ultimate existential threat to humanity.

May the Muses tickle your brain today. May you write, compose, photograph, dance, sing, and paint like there’s no tomorrow!

Dawn Pisturino

June 2, 2022

Copyright 2022 Dawn Pisturino. All Rights Reserved.

23 Comments »

Is the Qur’an a Miracle from God?

The Qur’an (recitation) is considered a miracle by Muslims because it was revealed in perfect classical Arabic (fusha t-turath) to an illiterate (ummi) Arabic man, Muhammad ibn Abdallah, in 610 A.D.  The Qur’an itself challenges disbelievers to create something similar in Surah 17:88: “Say: ‘If the mankind and the jinn were together to produce the like of this Qur’an, they could not produce the like thereof, even if they helped one another’” (Al-Hilali and Khan, 365).

The Qur’an is so miraculous it proves to Muslims that Muhammad was a messenger (rasul) of Allah (God). The Qur’an discusses revelations given to prophets from Adam to Muhammad, and Muhammad is, therefore, considered the last Prophet of God (the Seal of the Prophets). The Qur’an is also viewed as a superior example of classical Arabic literature and the first Arabic book (https://www.al-islam.org/al-serat/vol-14-no1-spring-1988/islam-quran-and-arabic-literature-elsayed-m-h-omran/islam-quran-and). According to Egyptian Arabic teacher Hussein Moussa, “Quranic Arabic is a more eloquent form of fusha (classical Arabic). The equivalent in English is Shakespearean English . . .” (https://www.quora.com/How-different-is-Quranic-Arabic-from-modern-Arabic-language-Which-one-should-I-learn).

The Qur’an is inseparable from Arabic in the same way that Muhammad is inseparable from the Qur’an. All the daily prayers are uttered in classical Arabic. A Muslim’s entire life revolves around the Arabic roots of the Qur’an, no matter which language he or she speaks. In fact, it has been said that the only true words of Allah are found in the Arabic Qur’an.

“Arabic is a delicate language where even the slightest mispronunciation can drastically alter the meaning of a word” (https://www.arabacademy.com/islamic-arabic). Therefore, translating the Qur’an into other languages can alter its meaning entirely. All Muslims are strongly encouraged to learn Qur’anic Arabic in order to discover the true meaning of the Qur’an.

The Arab tribes in pre-Islamic Arabia were devoted to reciting poetry and passing down oral traditions. In fact, “pre-Islamic Arabs took great pride in their language and in articulate and accurate speech, the latter being one of the main requisites for social prominence”) (https://www.al-islam.org/al-serat/vol-14-no1-spring-1988/islam-quran-and-arabic-literature-elsayed-m-h-omran/islam-quran-and).

Muhammad’s oral revelations would have seemed astounding to the people of Mecca. And when the Angel Gabriel ordered him to “Recite” in Surah 96 (Al-Hilali and Khan, 779), Muhammad was following a long-standing tradition of the Arab tribes. The language of the Qur’an is considered so beautiful and unique that “no human speech can match the Quran and its content and form” (https://en.wikipedia.org/wiki/Quran).

Tajwid is the “art of Quran recitation” (http://www.oxfordislamicstudies.com/article/opr/t125/e2317). Tajwid determines how each syllable of the Qur’an is pronounced in Arabic; how long and short pauses are placed; whether letters are sounded together or separate; how consonants and vowels are pronounced; and the art of recitation using musical and poetic expression. Diacritical markings (tashkil) on the Arabic letters indicate where and when to use these rules. Tajwid is to recited Arabic what elocution is to classical singers.

Early in his prophethood, Muhammad captivated listeners with the beauty and power of Qur’anic language. “Many were converted [to Islam] on the spot, believing that God alone could account for the extraordinary beauty of the language” (Armstrong 145). Converts who memorized and recited the Qur’an were “interiorizing the inner rhythms, sound patterns, and textual dynamics – taking it to heart in the deepest manner” (Sells 11).

The Qur’an’s message, above all else, is the supremacy and oneness (tawhid) of God (Allah). All humans are dependent on the will of Allah. It was Allah’s will to create humans, and it will be Allah’s will to determine when humans die and resurrect.

The second most important message in the Qur’an is the coming Day of Judgment, when all humans will be judged according to their actions. The earth will be thrown into upheaval and chaos. A spiritual battle will ensue between Satan and God, and Jesus and the Mahdi will re-appear (http://www.oxfordislamicstudies.com/article/opr/t125/e513).

Muhammad’s role as Prophet was to be Allah’s messenger and the interpreter of Allah’s revelations (http://www.al-islam.org). Over 23 years, Muhammad revealed important guidelines about daily life, social justice and law, and reverence for God. He laid the foundation for the basic tenets of Islam—the Five Pillars of Islam and the Six Pillars of Faith—which were later formalized in the Hadith of Gabriel (Esposito 77-88). His revelations continually reminded people (dhikr) to do the things loved by Allah. After his death, the teachings of the Qur’an and the way of life exemplified by Muhammad and his Companions came to be known as the sunna. Later on, these were supplemented by verified sayings and events of the Prophet remembered by others (hadith). Altogether, these three components formed the basis of Islamic law (sharia) (http://www.oxfordbibliographies,com/view/document/obo-9780195390155/0b0-9780195390155-9983.xml).

The exoteric (outer – tafsir) literal meaning of the Qur’an is enhanced by an esoteric (inner – ta’wil) experience of the Qur’an. But this experience and interpretation must only be done by qualified individuals, according to Surah 3:7 in the Qur’an (Al-Hilali and Khan, 75). Sufism is the esoteric branch of Islam and relies heavily on mysticism and “the ancient wisdom of the heart” (https://goldensufis.org/a_meditation_of_heart.html). Early Sufis identified so completely with Allah that many were executed for blasphemy. A well-known Sufi was the poet Rumi, who incorporated ayahs (verses) from the Qur’an into his Persian poetry.

Internet Sources – incorporated into the body of the post

Al-Hilali, Muhammad Taqi-ud-Din, and Khan, Muhammad Muhsin. Interpretation of the    

       Meanings of the Noble Qur’an in the English Language, 15th ed. Riyadh: Darussalam, 1996.

Armstrong, Karen. A History of God. New York: Alfred A. Knopf, Inc., 1993.

Esposito, John L. The Oxford History of Islam. New York: Oxford University Press, 1999.

Sells, Michael. Approaching the Qur’an. Ashland: White Cloud Press, 2007.

Dawn Pisturino

Thomas Edison State University

December 26, 2018; June 1, 2022

Copyright 2018-2022 Dawn Pisturino. All Rights Reserved.

11 Comments »

The Magical World of Lord Dunsany

The King of Elfland’s Daughter is one of Lord Dunsany’s most popular books. Written in 1924, the book is a clear forerunner of Tolkien’s The Hobbit and Lewis’s The Chronicles of Narnia. I recommend it to anyone who loves fantasy fiction.

Edward John Moreton Drax Plunkett (try saying that real fast three times) was an Irish aristocrat who inherited the title of 18th Baron Dunsany in 1899. He lived in Dunsany Castle in County Meath, Northern Ireland and married the daughter of the 7th Earl of Jersey, Lady Beatrice Child-Villiers. The couple had one son who went on to inherit the title and the castle.

A close friend of William Butler Yeats and Rudyard Kipling, Dunsany became a prolific writer, producing a large opus of poetry, plays, short stories, and novels based on Irish folklore and mythology. He was part of the late 19th century “Celtic Revival” started by Yeats. Other influential contemporaries included Lewis Carroll (Alice in Wonderland) and Kenneth Grahame (Wind in the Willows).

In America, he was dubbed “America’s Favorite Peer” because his plays were in great demand in New York City. At one point, he allegedly had five plays running simultaneously on Broadway.

Dunsany was a soldier who fought in the Boer War, World War I, and the 1916 Irish uprising. During World War II, he served in the Home Guard.

Although J.R.R. Tolkien is regarded as the father of fantasy fiction, Dunsany’s style and imagination had a profound effect on all the prominent fantasy writers of his day, including Tolkien, Lewis, and H.P. Lovecraft. His influence has extended to modern fantasy writers such as British author Neil Gaiman.

Dunsany’s stories have been described by other writers as magical, ethereal, dream-like, and surreal. Writing in long-hand with a feathered quill pen, his intuitive imagination wandered beyond the boundaries of intellect to produce stories in magical and poetic prose which capture the heart and imagination of discerning readers.

As the world evolved technologically around him, one of Lord Dunsany’s favorite themes was the threat of science to the Other World. He ventured into sci fi with The Last Revolution, which explored what would happen if machines turned against their human inventors (foreshadowing The Terminator).

Lord Dunsany died of appendicitis on October 25, 1957.

A Poem to Lord Dunsany

By Irish Poet Francis Ledwidge

TO LORD DUNSANY

(ON HIS RETURN FROM EAST AFRICA)


For you I knit these lines, and on their ends
Hang little tossing bells to ring you home.
The music is all cracked, and Poesy tends
To richer blooms than mine; but you who roam
Thro’ coloured gardens of the highest muse,
And leave the door ajar sometimes that we
May steal small breathing things of reds and blues
And things of white sucked empty by the bee,
Will listen to this bunch of bells from me.

My cowslips ring you welcome to the land
Your muse brings honour to in many a tongue,
Not only that I long to clasp your hand,
But that you’re missed by poets who have sung
And viewed with doubt the music of their verse
All the long winter, for you love to bring
The true note in and say the wise thing terse,
And show what birds go lame upon a wing,
And where the weeds among the flowers do spring.

(Dunsany Castle, County Meath, Northern Ireland. Photo by Tim Wilson. http://www.dunsany.com)

Dawn Pisturino

March 16, 2022

Copyright 2022 Dawn Pisturino. All Rights Reserved.

10 Comments »

Cicero’s Three Tenets for Just War

(Marcus Tullius Cicero)

It is difficult to determine just when the just war idea began. Aristotle used the phrase, “just war” (Brunstetter, 2018, pg. 4), but it is Cicero who developed a “systematic ethical project” (Stewart, 2018, pg. 8) around the concept of just war.

Marcus Tullius Cicero (106 BCE – 43 BCE) grew up in a wealthy Roman family, acquired a good education, and worked his way up the ladder to achieve the high political status of Consul. When Catiline tried to seize power over Rome by force, “Cicero had five of the conspirators executed without trial and was thereafter hailed as ‘the father of his country’” (Stewart, 2018, pg. 9). His experiences helped to shape his ideas about just war.

Cicero tried to place an emphasis on “virtuous behavior” (Stewart, 2018, pg.8) based on the principles of natural law. He believed that all civilized nations were bound by the same law and that “the god will be the one common master and general (so to speak) of all people” (Stewart, 2018, pg. 11). He expected all civilized nations to follow a course of laws, morals, and ethics that reflected the will of God. Following the will of God would lead nations to make the best decisions.

Out of this came Cicero’s idea of the “ideal statesman” (Stewart, 2018, pg. 14, 17, 18) who would have the wisdom to discern the difference between the justice of war and the necessity of war. After a thorough analysis, an ideal statesman would decide when conflict could be solved by diplomacy and debate, and when the use of force would be necessary. He would base his decision on what was best to ensure the safety and survival of the Roman Empire.

He developed three maxims:

     Jus ad bellum covered the justification for the use of force.

     Jus in bellum outlined the limitations imposed in the use of force.

     Jus post bellum offered guidelines about how to deal with participants after a war was over.  

          (Brunstetter, 2018, pg. 1).

If we adhere to Cicero’s idea about the ideal statesman then jus ad bellum is the most important. The decisions that leaders make can determine the fate of the whole nation. If they make wrong decisions out of a “selfish passion” (Stewart, 2018, pg. 15) for glory and ambition, justice has not been done, and the whole nation may suffer.

In order to justify the use of force, there must be a legitimate reason to declare war. Roman officials must have the authority (right thinking and right intention) to declare war. The decision to go to war must come as a last resort. There must be a high probability of a successful resolution. And the use of force must lead to more benefits than harm to society (Brunstetter, 2018, pg. 1).

The use of force in war will be limited to what needs to be done to defeat the other side.  It must never exceed the purpose of its use. It must only be aimed at “legitimate targets” (Brunstetter, 2018, pg. 1). Discrimination in the use of force must be exercised by military leaders to achieve the objective and nothing more.

After the conflict is over, the winner must decide what to do with the survivors and post-war plunder. Can peace be restored? Has justice been done? Have grievances been resolved? The winner is responsible for restoring balance and harmony in the region and making sure that humanitarian efforts are made to help the survivors recover. This fulfills the principles of beneficence and honor (Stewart, 2018, pg. 13).

If peace cannot be restored and a nation continues to be a threat to the survival of the Roman Empire, Cicero concludes that necessity overrules justice and beneficence and complete annihilation is justified (Stewart, 2018, pg. 14-16).

Rome was a militarized society. Cicero served in the military and never discounted the inevitability of war. He believed in ius gentium (international obligations between nations) (Stewart, 2018, pg. 9). These international relations involved treaties and agreements made in “good faith” (Stewart, 2018, pg. 10). Broken treaties and other wrongs were justification for the use of force. But Cicero insisted that there were acceptable limits when following a path of revenge and retribution (Stewart, 2018, pg. 12). He believed that there were duties owed to the people who broke good faith and were defeated in battle (Stewart, 2018, pg. 13). This, for him, is what defined justice.

Dawn Pisturino

Thomas Edison State University

October 6, 2021; March 4, 2022

Copyright 2021-2022 Dawn Pisturino. All Rights Reserved.

Brunstetter, D.R., & O’Driscoll, C. (Ed.). (2018). Just war thinking: From cicero to the 21st  

     century. Abingdon, Oxon: Routledge.

Stewart, G. (2018). Marcus tullius cicero (106 BCE – 43 BCE). In D.R. Brunstetter & C. O’Driscoll

     (Eds.), Just war thinkers: From cicero to the 21st century (8-19). Abingdon, Oxon: Routledge.

16 Comments »

Unappreciated????

(A portrait of English poet, John Keats, by William Hilton, 1822)

Before his early death at 25 from tuberculosis on February 23, 1821, English poet John Keats despaired that “I have left no immortal work behind me . . . If I had time, I would have made myself remembered.” Suffering from ill health and mocked by critics, he could not imagine the fame and adulation that has preserved his memory for two hundred years. Buried in the Protestant Cemetery in Rome, his immortal words still echo in the hearts of young poets, and visitors still flock to see his simple grave.

(Photo by Vova Pomortzeff)

I can’t help thinking what a tragedy it was that such a brilliant young poet was not recognized in his own lifetime, however short. Keats died believing he was a failure. But this has happened to so many writers and artists! Why does it take the dark hand of Death to bring a great person’s talents to life? Are we all too blind and selfish to recognize them while they’re still alive? Or, must all great writers and artists pass the test of Time?

When I Have Fears That I May Cease to Be

by John Keats

When I have fears that I may cease to be

Before my pen has glean’d my teeming brain,

Before high-piled books, in charactery,

Hold like rich garners the full ripen’d grain;

When I behold, upon the night’s starr’d face,

Huge cloudy symbols of a high romance,

And think that I may never live to trace

Their shadows, with the magic hand of chance;

And when I feel, fair creature of an hour,

That I shall never look upon thee more,

Never have relish in the faery power

Of unreflecting love; — then on the shore

Of the wide world I stand alone, and think

Till love and fame to nothingness do sink.

Dawn Pisturino

February 17, 2022

Copyright 2022 Dawn Pisturino. All Rights Reserved.

29 Comments »

Poems About Books

There is no Frigate like a Book

There is no Frigate like a Book

To take us Lands away

Nor any Coursers like a Page

Of prancing Poetry –

This Traverse may the poorest take

Without oppress of Toll –

How frugal is the Chariot

That bears the Human Soul –

~ Emily Dickinson ~

The Land of Story-Books

These are the hills, these are the woods,
These are my starry solitudes;
And there the river by whose brink
The roaring lions come to drink.

I see the others far away
As if in firelit camp they lay,
And I, like to an Indian scout,
Around their party prowled about.

So, when my nurse comes in for me,
Home I return across the sea,
And go to bed with backward looks
At my dear land of Story-books.

~ Robert Louis Stevenson ~

When You are Old

When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;

And bending down beside the glowing bars,

Murmur, a little sadly, how Love fled

And paced upon the mountains overhead

And hid his face amid a crowd of stars.

~ W.B. Yeats ~

Good Books

Good books are friendly things to own.
If you are busy they will wait.
They will not call you on the phone
Or wake you if the hour is late.
They stand together row by row,
Upon the low shelf or the high.
But if you’re lonesome this you know:
You have a friend or two nearby.

The fellowship of books is real.
They’re never noisy when you’re still.
They won’t disturb you at your meal.
They’ll comfort you when you are ill.
The lonesome hours they’ll always share.
When slighted they will not complain.
And though for them you’ve ceased to care
Your constant friends they’ll still remain.

Good books your faults will never see
Or tell about them round the town.
If you would have their company
You merely have to take them down.
They’ll help you pass the time away,
They’ll counsel give if that you need.
He has true friends for night and day
Who has a few good books to read.

~ Edgar Albert Guest ~

Here’s to good reading!!

Dawn Pisturino

January 7, 2022

8 Comments »

The Spencer Collection at the New York Public Library

(Spencer Collection, The New York Public Library. (1649 – 1700). Zwölff geistliche Andachten, dari[n]nen gar schöne trostreiche Gebet begriffen Retrieved from https://digitalcollections.nypl.org/items/22c7e880-8efc-0137-d9aa-73feabfb4c3a)

~

William Augustus Spencer, Esquire (1855-1912) was my seventh cousin, five times removed, who descended from the Honorable Ambrose Spencer. Ambrose served as the Attorney General of New York from 1802 to 1804 and a House Representative in the Twenty-first Congress from 1829 to 1831. William grew up wealthy, collected rare French books, and was eventually disowned by his family for marrying a poor French singer. There are no photos of him, as the story goes, because they were all destroyed by his family in a fit of rage. He married Marie Eugenie Demougeot in London in 1884. They had no children. The other key person in their life was Marie’s French maid, Eugenie Elise Lurette.

William Spencer rubbed shoulders with the Astor family, and his nephew married the sister-in-law of Colonel John Jacob Astor IV. The interesting part of this story is that both William A. Spencer and John Jacob Astor died on the Titanic when it sank on April 14/15, 1912.

William’s wife, Marie, and her maid, Eugenie, managed to escape on Lifeboat Number 6, which was also occupied by the Unsinkable Molly Brown (Margaret Brown), who had made her fortune in the Colorado gold mines. Brown received much public attention for her efforts to save other passengers.

William’s body was never recovered. A cenotaph was created to memorialize his death.

William left all of his books and a large sum of money to the newly-established New York Public Library in his will. Read all about it below:

~

A Passenger to Remember: Introducing the

Spencer Collection

by Kathie Coblentz, Rare Materials Cataloger,

Spencer Collection, Stephen A. Schwarzman

Building, June 4, 2010

“A collection … of the finest illustrated books that can be procured, of any country and in any language … bound in handsome bindings representing the work of the most noted book-binders of all countries…”

* * *

“Sometime in 1910, according to an often-repeated story that has acquired the status of legend, William Augustus Spencer visited the new central building of the New York Public Library, still under construction at Fifth Avenue and 42nd Street. He was impressed—so impressed that he vowed there and then that he would bequeath his personal collection of fine illustrated books in fine bindings to the Library. He then returned to Paris, where he made his home. For his next visit to New York, in April 1912, he booked passage from Cherbourg, France, on the maiden voyage of the RMS Titanic.

“Spencer was not among the passengers who were saved on the terrible night of April 14. But he had made good on his promise, and when details of his estate were made public, it was found that he had left the Library “a library composed chiefly of French books,” whose value was appraised at $40,779. But this represented only a part of his bequest to the Library; there was more in cash. Moreover, one clause in his will would soon augment the value of his gift considerably.

William A. Spencer's obituary,published in the New York Times, May 9, 1912

William A. Spencer’s obituary,
published in the New York Times, May 9, 1912

“The Spencer Collection of the New York Public Library was duly established, and its kernel, Spencer’s own books, went on display in the year following their donor’s demise. Details may be found in an article by Henry W. Kent in the Bulletin of the New York Public Library, v. 18, no. 6 (June 1914); a catalog of the collection follows. Images of many of Spencer’s own bindings are available in the Library’s Digital Gallery.

“But Spencer’s own books, though they impressively document a certain era in taste in bookbinding and book illustration, represent only a small part of his legacy. In Chapter 18 of Harry Miller Lydenberg’s History of the New York Public Library (1923), available online in its pre-publication form in the Library’s Bulletin for July 1921, the details of the bequest clause in his will were given. Here’s an excerpt:

[Spencer’s] plans for the development of the collection were set forth at length in the tenth clause of his will. Here he directed his executors to convey to the Library on the death of his wife one half his residuary estate, to be invested as a separate fund, the income of which was to be used for “the purchase of handsomely illustrated books” which were to be handsomely bound if not purchased in this condition. He went on to say: “In short it is my wish, if the Trustees of The New York Public Library accept this bequest, that they form a collection thereby increasing the bequest made in the eighth clause of this my Last Will and Testament, of the finest illustrated books that can be procured, of any country and in any language, and that these books be bound in handsome binding representing the work of the most noted book-binders of all countries, thus constituting a collection representative of the arts of illustration and bookbinding.

“Mrs. Spencer died on October 13, 1913, and the fund for the development of the Spencer Collection was duly established. The principles set forth in the will of William Augustus Spencer have guided the Collection’s curators ever since in their quest for the crème de la crème of the world’s bibliophiliac treasures, and the result today is a collection of fine illustrated books, fine bindings, and illuminated manuscripts that is perhaps unsurpassed in beauty, breadth, depth and scope in any public institution in the United States, if not the world.

The Spencer Collection, like other special collections of the New York Public Library, is open to the public, but special permission to use it must be requested in advance.

“In blog posts to follow, I will present some of my own personal favorites among the Spencer Collection treasures that have passed through my hands, as one of the lucky people whose job description includes toiling as a cataloger of these volumes.”

View all posts by Kathie Coblentz

About the Spencer Collection

“The Spencer Collection surveys the illustrated word and book bindings of all periods and all countries and cultures, from medieval manuscripts, Japanese scrolls, and Indian miniatures to monuments in Renaissance printing, illustration, and binding to contemporary livres d’artistes.

“Readers wishing to consult the The Library’s Renaissance and Medieval Manuscripts are required to request and receive permission in writing before their research visits. Please see this page for more information.

“Although not administratively part of the Miriam and Ira D. Wallach Division of Art, Prints and Photographs, the Spencer Collection materials are available through the Prints and Photographs Study Room (308) with 24 hours notice and a card of admission obtained from the Print Collection. Spencer Collection items catalogued after 1972 can be found in the Library’s online catalog. For pre-1972 holdings, consult the Dictionary Catalog and Shelf List of the Spencer Collection of Illustrated Books and Manuscripts and Fine Bindings (Boston: G. K. Hall, 1971), found at the Print Room Desk in Room 308 and in the General Research Division, Room 315 with the call number Pub. Cat. Z1023 .N572 1971.

“For further information or to request material from the Spencer Collection: 212-930-0817; fax: 212-930-0530; email: prints@nypl.org.”

~ The New York Public Library ~

In commemoration of my distant cousin, William Augustus Spencer, and his beautiful legacy to the New York Public Library and the world of books. May he rest in peace.

Dawn Pisturino

January 6, 2022

Copyright 2022 Dawn Pisturino. All Rights Reserved.

12 Comments »

St. Thomas the Apostle and the Three Wise Men

The Gospel of Matthew recounts how the Three Wise Men followed the Star of Bethlehem to the Christ Child in the manger, worshiped Him, and brought Him gifts. Then they left, feeling it wiser to bypass King Herod and his murderous intentions. 

Matthew 2:1-12:

 Now when Jesus was born in Bethlehem of Judea in the days of Herod the king, behold, wise men from the East came to Jerusalem, saying, “Where is he who has been born king of the Jews? For we have seen his star in the East, and have come to worship him.” When Herod the king heard this, he was troubled, and all Jerusalem with him; and assembling all the chief priests and scribes of the people, he inquired of them where the Christ was to be born. They told him, “In Bethlehem of Judea; for so it is written by the prophet:

‘And you, O Bethlehem, in the land of Judah, are by no means least among the rulers of Judah; for from you shall come a ruler who will govern my people Israel.'”

Then Herod summoned the wise men secretly and ascertained from them what time the star appeared; and he sent them to Bethlehem, saying, “Go and search diligently for the child, and when you have found him bring me word, that I too may come and worship him.” When they heard the king they went their way; and lo, the star which they had seen in the East went before them, till it came to rest over the place where the child was. When they saw the star, they rejoiced exceedingly with great joy; and going into the house they saw the child with Mary his mother, and they fell down and worshiped him. Then, opening their treasures, they offered him gifts, gold and frankincense and myrrh. And being warned in a dream not to return to Herod, they departed to their own country by another way.

~

Later stories in the apocrypha elaborate on this account. The Three Wise Men meet St. Thomas the Apostle, who baptizes them as Christians, gives them the Eucharist, and sends them out into the world to spread the message of Christ as his disciples.

During the baptismal ceremony, St. Thomas recites this prayer:

“We praise you, O mystery of salvation,

which was given to us in oil by grace for anointing. 

Glory to you, O hidden mystery,

which was given to us in oil by grace for salvation,

for anointing. 

Glory to you, O hidden mystery,

which was given to us in oil for salvation and

and absolution.

 And by it (you) enlighten us and drive away

 darkness and error from us.

And again, by its mystery the athletes of the contest 

defeat their enemies.

Glory to you, O mystery of the oil,

since you became worthy to be in fellowship with

Christ.

With you the victorious are crowned in the contest, 

and you are twinned with the Spirit.

And you fly over the water like your (twin,) 

the Holy Spirit,

you mix the soul with mind,

and you renew the body with the birth of salvation.

Come, O partner of the firstborn;

Come, O renewer of humanity by the birth to eternal 

life;

and rest upon these believers, the beloved ones of our 

Lord Jesus Christ, and purify them and sanctify them

from all the stains of their bodies,

and may they become for you temples for your

dwelling

and rest for the Son of perfect mercy. 

And may you perfectly sanctify them with the birth of

salvation.”

(Translated from the Syriac by Brent Landau)

May we all become wiser, closer to God, and better disciples of the Christ Child in the year ahead.

Amen!

Dawn Pisturino, RN

December 23, 2021

 

 

 

 

 

 

 

 

 

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Reprise: Saint Nikolaus’s Companion, Knecht Ruprecht

From out the forest I now appear,

To proclaim that Christmastide is here!

For at the top of every tree

Are golden lights for all to see;

And there from heaven’s gate on high

I saw our Christ-child in the sky.

And in among the darkened trees,

A loud voice it was that called to me:

“Knecht Ruprecht, old fellow,” it cried,

“Hurry now, make haste. Don’t hide!

All the candles have now been lit —

Heaven’s gate has opened wide!

Both young and old should now have rest

Away from cares and daily stress;

And when tomorrow to earth I fly

‘It’s Christmas again!’ will be the cry.”

And then I said: “O Lord so dear.

My journey’s end is now quite near;

But to the town I’ve still to go,

Where the children are good, I know.”

“But have you then that great sack?”

“I have,” I said, “It’s on my back,

For apples, almonds, fruit and nuts

For God-fearing children are a must.”

“And is that cane there by your side?”

“The cane’s there too,” I did reply;

“But only for those, those naughty ones,

Who have it applied to their backsides.”

The Christ-child spoke: “Then that’s all right!

My loyal servant, go with God this night!”

From out the forest I now appear;

To proclaim that Christmastide is here!

Now speak, what is there here to be had?

Are there good children, are there bad?

Theodor Storm

Translated from the German by Denis Jackson, Isle of Wight.

BIO: Theodor Storm (1817-1888) was a German poet, novelist, and lawyer known for the lyrical quality of his work. He died of cancer in 1888. Knecht Ruprecht (Krampus) is still a popular figure seen in Germany (and other countries) at Christmas. While St. Nikolaus rewards the good children, Krampus punishes the bad.

Dawn Pisturino

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The Gingerbread Boy

Gingerbread is such an integral part of Christmas that it may surprise some people to learn that the first gingerbread recipe came from the Greeks in 2400 B.C. The Chinese followed next in the 10th century. But it was the Europeans — particularly, the Germans — who turned gingerbread into a high form of art. Cookies decorated with gold leaf were a symbol of English nobility and royalty under the reign of Queen Elizabeth I.

Gingerbread cookies were so popular by the late Middle Ages that Gingerbread Fairs became a popular form of entertainment. Germans began creating gingerbread houses in the 16th century. The story of Hansel and Gretel may have been inspired by gingerbread or gingerbread may have been inspired by Hansel and Gretel! Nobody knows for sure.

A well-known children’s folk tale is The Gingerbread Man or Gingerbread Boy, depending on the teller.

THE GINGERBREAD BOY

Now, you shall hear a story that somebody’s great-great-grandmother told a little girl ever so many years ago:

There was once a little old man and a little old woman who lived in a little old house on the edge of a wood. They would have been a very happy old couple but for one thing — they had no little child, and they wished for one very much. One day, when the little old woman was baking bread, she cut a cake in the shape of a little boy, and put it in the oven.

Presently, she went to the oven to see if it was baked. As soon as the oven door was opened, the little gingerbread boy jumped out and began to run away as fast as he could go.

The little old woman called her husband, and they both ran after him. But they could not catch him. And soon the gingerbread boy came to a barn full of threshers. He called out to them as he went by, saying:

“I’ve run away from a little old woman,

A little old man,

And I can run away from you, I can!”

Then the mowers began to run after him, but they couldn’t catch him. And he ran on ’til he came to a cow. He called out to her:

“I’ve run away from a little old woman,

A little old man,

A barn full of threshers,

A field full of mowers,

And I can run away from you, I can!”

But, though the cow started at once, she couldn’t catch him. Soon he came to a pig. He called out to the pig:

“I’ve run away from a little old woman,

A little old man,

A barn full of threshers,

A field full of mowers,

A cow,

— And I can run away from you, I can!”

But the pig ran and couldn’t catch him. And he ran ’til he came across a fox, and to him he called out:

“I’ve run away from a little old woman,

A little old man,

A barn full of threshers,

A field full of mowers,

A cow and a pig,

And I can run away from you, I can!”

Then the fox set out to run. Now foxes can run very fast, and so the fox soon caught the gingerbread boy and began to eat him up.

Presently, the gingerbread boy said: “O dear! I’m a quarter gone!” And then: “Oh, I’m half gone!”

And soon: “I’m three-quarters gone!” And, at last: “I’m all gone!” and never spoke again.

Traditional Folk Tale

Story from St. Nicholas Magazine, 1875

MERRY CHRISTMAS!

Dawn Pisturino, RN

Copyright 2020-2021 Dawn Pisturino. All Rights Reserved.

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