Dawn Pisturino's Blog

My Writing Journey

The Ethereal World of Sir Simon Marsden

Sir Simon Marsden

Sir Simon Marsden (1948-2012) was known as an ethereal British photographer who transported the viewer to a dark and phantasmic world with his eerie photographs. Introduced by his father at a young age to books and stories about the supernatural, Marsden developed a keen interest in the paranormal. He even grew up in two English manors that were allegedly haunted, Panton Hall and Thorpe Hall. Thorpe Hall, in particular, housed the “Green Lady,” the ghost of a woman who committed suicide in the 1600s.

Marsden became a fan of such writers as Arthur Machen, M.R. James, and Edgar Allen Poe. At the age of 21, he received his first camera and embarked on a lifelong love affair with photography. He traveled throughout Britain, France, and the United States, perfecting his signature style, and became known for his haunting images of haunted sites.

A number of books were published featuring his photographs, and his work was exhibited throughout Britain and elsewhere. He was a master in the use of infrared film and printing his own photographs, which gave him control over the quality of his work.

A staunch believer in the supernatural, Marsden described several paranormal encounters that he experienced at ancient haunted sites. At the Rollright Stones in Long Compton, Warwickshire, he was pushed by an invisible force, which knocked the camera out of his grasp. At Woodlawn House in County Gallway, he and director Jason Figgis heard the mournful wailing of a woman who could not be found anywhere on the premises.

Marsden became 4th Baronet in 1997. His collection can be viewed here:

http://www.marsdenarchive.com.

Dawn Pisturino

August 2017

Published in the Autumn 2017 issue of Psychic Magic e-zine.

Copyright 2017 Dawn Pisturino. All Rights Reserved.

 

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Concert for the Dead

Concert for the Dead image

Story by Dawn Pisturino

Artwork by Job van Gelder

Ariel knelt before the marble niche holding the remains of her dead older brother and placed a bouquet of roses in the stone vase. Six months had passed since the horrible night a drunk driver had taken Jonathan’s life. She would never forget.

“Coach Willis still talks about you, Jonathan,” Ariel said, tracing the carved letters of his name with trembling fingers. “Nobody’s beaten your track record. You were the best. You always will be.”

She pulled some sheet music from her backpack. “The opera club is doing Purcell this year. I got the lead role. I’m so excited!” She began to sing:

“When I am laid, am laid in earth, may my wrongs create

No trouble, no trouble in thy breast;

Remember me, remember me, but ah! forget my fate . . .”*

The haunting elegy echoed through the halls of the Great Mausoleum, bringing tears to Ariel’s eyes. As the last melancholy note faded away, the mausoleum doors slammed shut. The lights flickered and dimmed.

Icy panic clawed at Ariel’s chest. She could hardly breathe. Then a long, agonizing scream tore from her throat.

She ran to the entrance and pushed against the heavy metal doors. Locked.  She searched for an intercom or emergency button. Nothing.

“Let me out!” she cried, pounding on the door. “It’s not closing time!”

Voices whispered all around her.

“No!” she howled, throwing her weight against the unyielding door.

The whispers grew louder. “We’ll let you out when the concert is over.”

 “W-what c-concert?” Ariel stammered, searching the empty air.

“The Concert for the Dead.”

And then she saw them, gliding down the dark corridors, the eerie inhabitants of this condominium for the dead.

They crowded into the main hall, hundreds of them, the ghastly and the beautiful.

Men dressed in military uniforms soaked with blood, arms ripped away, legs shredded at the knees, and heads split open, eyeballs dangling from their sockets.

Women gowned in rustling silk, faded and torn, ringlets framing faces eaten away by worms. Pale young mothers with tragic eyes, carrying shriveled up babies in their arms.

Dead children glared at Ariel with menacing faces, their transparent fingers clutching moth-eaten ragdolls and time-worn teddy bears.

An orchestra appeared. Skeletons with shreds of rotting flesh hanging from their bones. The conductor raised his baton, and the slow, plaintive strains of a violin filled the air. He

turned and looked at Ariel with one putrid eye, motioning her to begin.

I know this song. I can do it. Shaking with fear, she dug her fingernails into her palms and began to sing:

“None but the lonely heart can know my sadness

Alone and parted far from joy and gladness . . .”**

She sang until the sun disappeared and the stained glass windows lost their color. She sang until the moon ran its course and the stars began to fade. Finally, her throat too parched and raw to continue, she pleaded:

“The concert’s over. Please let me go.”

Hushed whispers rippled through the audience. Then a lone figure broke through the crowd.

“Jonathan!” Ariel cried, grateful to see a familiar face.

Smiling, he extended his arms to her. “We don’t want you to leave,” Jonathan said, drawing her close. “We want you to sing for us forever and ever and ever . . .”

Cold waxy fingers tightened around her throat. In the background, the orchestra played a quiet requiem.

* * *

When the groundskeeper found Ariel’s body the next morning, he noticed two peculiar things. Her throat was purple with finger marks, and her hair had turned completely white.

Copyright 2011-2014 Dawn Pisturino. All Rights Reserved.

This story is dedicated to my daughter, lyric soprano Ariel Pisturino

Published in the November 2011 issue of Underneath the Juniper Tree. Read it here.

Published on Brooklyn Voice, February 2012. Read it here.

 

Concert for the Dead ill-Troberg

Artwork by Asheka Troberg

 

*“Dido’s Lament,” from Dido & Aeneas by Henry Purcell

**“None but the Lonely Heart,” by Pyotr Tchaikovsky and J.W. Goethe

 Happy Halloween!

 

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The Punishment

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The Punishment

Click photo to enlarge, download, and read.

Story by Dawn Pisturino. Graphics by Rebekah Joy Plett.

Published October 18, 2011 on Underneath the Juniper Tree.
Copyright 2011 Dawn Pisturino and Rebekah Joy Plett. All Rights Reserved.

Published on The Brooklyn Voice, June 25, 2012. Read it here.

Troberg Punishment ill

Artwork by Asheka Troberg, The Brooklyn Voice. Click to enlarge.

Copyright 2012 Dawn Pisturino and Asheka Troberg. All Rights Reserved.

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The oak chest and the bride who rushed to her death

Everybody loves a good ghost story! Click on photo to read the story.

freaky folk tales

The Mistletoe Bride

“Within lay the body of his lost bride, now a fleshless skeleton, wearing the beautiful wedding robes in which he had last seen her. The wedding dress was yellow and stained with age and corruption. Her fleshless hand was raised in a pathetic attitude as it trying to open the door of her tomb.”

Read the whole story: http://freakyfolktales.wordpress.com/2013/06/06/how-a-new-york-society-girl-came-to-inherit-the-ghost-of-an-english-bride/

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