Dawn Pisturino's Blog

My Writing Journey

The Ethereal World of Sir Simon Marsden

Sir Simon Marsden

Sir Simon Marsden (1948-2012) was known as an ethereal British photographer who transported the viewer to a dark and phantasmic world with his eerie photographs. Introduced by his father at a young age to books and stories about the supernatural, Marsden developed a keen interest in the paranormal. He even grew up in two English manors that were allegedly haunted, Panton Hall and Thorpe Hall. Thorpe Hall, in particular, housed the “Green Lady,” the ghost of a woman who committed suicide in the 1600s.

Marsden became a fan of such writers as Arthur Machen, M.R. James, and Edgar Allen Poe. At the age of 21, he received his first camera and embarked on a lifelong love affair with photography. He traveled throughout Britain, France, and the United States, perfecting his signature style, and became known for his haunting images of haunted sites.

A number of books were published featuring his photographs, and his work was exhibited throughout Britain and elsewhere. He was a master in the use of infrared film and printing his own photographs, which gave him control over the quality of his work.

A staunch believer in the supernatural, Marsden described several paranormal encounters that he experienced at ancient haunted sites. At the Rollright Stones in Long Compton, Warwickshire, he was pushed by an invisible force, which knocked the camera out of his grasp. At Woodlawn House in County Gallway, he and director Jason Figgis heard the mournful wailing of a woman who could not be found anywhere on the premises.

Marsden became 4th Baronet in 1997. His collection can be viewed here:

http://www.marsdenarchive.com.

Dawn Pisturino

August 2017

Published in the Autumn 2017 issue of Psychic Magic e-zine.

Copyright 2017 Dawn Pisturino. All Rights Reserved.

 

Advertisements
Leave a comment »

Bluebeard in Beverly Hills

 

bluebeard

Bluebeard in Beverly Hills

by Dawn Pisturino

My mother, having squandered a considerable fortune, resolved to marry a wealthy man. Several candidates appeared — mostly middle-aged men of diminished means eager to marry a wealthy widow. Since my mother wore her desperation as flamboyantly as a pair of designer blue jeans, she soon found herself without any prospects at all.

When the bank foreclosed on our estate in upstate New York, my mother’s tawny tresses, once stylish and shiny, seemed to wilt around her shoulders. Her lively blue eyes clouded over with despair. And in one final act of desperation, she contacted a distant cousin residing in Beverly Hills, California.

The news startled me. This cousin, I had heard, was so rich, his name regularly topped the lists of the world’s richest people. He refused to have his photo taken or to make public appearances, for he had been born with an unnatural blue beard that made him look so ugly and weird, most women and children ran away from him in fright.

“He wants to marry me,” my mother announced over breakfast one morning.

My older sister, Charmaine, exchanged terrified glances with me. The idea of our mother marrying this ugly, disfigured, middle-aged man repulsed us. But more importantly, dark rumors circulated the newspapers and celebrity gossip shows that Bluebeard, as he was dubbed, had been married several times before, and the authorities could find no traces of his former wives.

In spite of our objections, my mother booked three airline tickets to California. We were to meet Bluebeard at the dock in Marina Del Rey and accompany him on a cruise to Catalina Island aboard his luxury yacht. This should have thrilled my sister and I, but a deep foreboding troubled us both.

And what a strange and terrible creature greeted us at the dock! His eyes glittering with cruel amusement, Bluebeard scooped each of us up in his big, burly arms, brushing our tender checks with his coarse blue beard. His graying, shaggy brown hair contrasted sharply with his deeply-tanned face, giving him the appearance of being half-man and half-beast. Even his teeth seemed unusually long and sharp when he opened his mouth in a loud guffaw and led us up the ramp onto his huge, expensive yacht.

My sister and I cringed with fear, but my mother’s face glowed with youth and excitement. How could we tell her how frightened we were? She would never listen.

During the day, while my mother hung out with Bluebeard, my sister and I soaked up the sun in our colorful bikinis, flipping through fashion magazines and painting our nails. At night we savored fresh lobster tails, dripping with butter, and watched the stars twinkle overhead like millions of Tiffany diamonds spilled across a black velvet sky. Upstate New York seemed far away then, and since nothing sinister had happened, our fears began to fade away.

Two weeks later, relaxed and tanned, my mother married Bluebeard under a billowy white awning at Marina Del Rey. My sister and I were the only guests.

That should have told me something, but I no longer cared about idle gossip or our former life in upstate New York.

I had become entranced with Bluebeard’s house in Beverly Hills, which loomed against the sunny blue sky like a great castle, surrounded by ornamental gardens reminiscent of the great castles of Europe. I felt like a princess, my long yellow hair braided in a single braid and adorned with fresh roses from the garden. I stood for hours before the full-length mirror in my bedroom, applying mascara to my large blue eyes, and modeling dozens of dresses purchased from the fancy boutiques on Rodeo Drive.

One snap of my fingers brought servants that catered to my every need and desire. I hugged myself over and over again, not daring to believe it was true: I was sixteen, beautiful, desirable, and rich.

“Isn’t it fabulous, Jeanette,” Charmaine exclaimed one day, throwing herself across my pink-ruffled bed. “I’m in love, I’m in love!”

Her sing-song voice irritated me, and I pouted in response. “Beverly Hills is full of eligible young men. Robbie Ray offered to give me tennis lessons.”

“That creep! You know what? When Mom and Mr. Moneybags leave for France, we’ll throw a big party. You’ll find your Prince Charming, for sure.”

My face glowed in anticipation. After all, didn’t a princess need a handsome young prince?

A few days later, my mother and Bluebeard boarded an airplane for France.

“The servants will take good care of you,” my mother said at the airport. Bluebeard stepped forward, a great ring of keys dangling from his finger. He handed them to Charmaine and explained which key went to which room.

“But this one,” he told her, indicating a small gold key, “unlocks the closet door in the wine cellar. Explore any room in the house that you like, but never, ever go into the closet in the wine cellar. If you do, something terrible is bound to happen.”

My mother gasped. Charmaine’s face turned a ghostly white. I stared at Bluebeard, chilled by the taunting tone in his voice. He turned his gaze on me, and a slow, sinister smile spread across his face. “You would do well, Jeanette, to remember the story of Pandora’s box.”

I watched my mother walk away with this monster, and my heart cried out: Don’t go! Don’t go! But it was too late. My mother was gone.

Charmaine assuaged her fear by working on plans for a party. I suggested that we host a fancy dress ball, and she agreed. Invitations were sent, a caterer engaged, decorations put up, and the house cleaned from top to bottom by the housekeeping staff. All we needed were costumes.

Charmaine pulled out Bluebeard’s key ring and found the key to the attic. Inside a great leather trunk, we found long silk dresses and big fancy hats. Excitement overcame our fears. Our party would be the hit of the year!

The ballroom gleamed with color and light on the night of the ball. We threw open the French doors, letting in the moonlight and soft summer breezes. The sweet scent of roses perfumed the air.

Our masked guests danced beneath the fire of crystal chandeliers, their colorful figures reflected in numerous mirrors lining the walls. Couples slipped away to explore the house, admiring the exquisite artwork and collectibles from around the world. Charmaine and I puffed up with pride, convinced that we had pulled off a successful social coup.

“Everyone is so impressed,” Charmaine said. “If such wonderful treasures can be found openly around the house, how much more special must be the treasures locked up in the closet in the wine cellar?”

I looked at her in horror. “Don’t do it, Charmaine. Bluebeard warned us not to open that door.”

“Don’t be silly,” she said. “We want to keep our guests impressed, don’t we?”

Like the Pied Piper of Hamelin, we crept downstairs into the murky depths of the wine cellar, urging our guests to follow behind. With trembling hands, Charmaine unlocked the door to the forbidden room, ignoring Bluebeard’s warning. A powerful stench of rotting flesh greeted us as she pulled back the door. The floor was sticky with slime. Charmaine gasped, dropping the flashlight at her feet. I picked it up and shone its light around the room. Piled up against the wall were the dead and decaying bodies of several women. Bluebeard’s missing wives!

Charmaine fainted. The guests screamed and scrambled up the stairs. I hurried behind them to call the police.

When my mother and Bluebeard returned home several days later, Bluebeard glared at me and said, “Why so nervous, Jeanette? And you, Charmaine — your face is so white. What have you two been up to in our absence?”

Charmaine handed him the ring of keys, her hand trembling so much, she nearly dropped them.

Suspicion clouded Bluebeard’s eyes. “You’ve been in the closet!” he roared. “Now, you will join the rest of my victims! He grabbed Charmaine by the hair and dragged her across the floor to the kitchen. My mother fainted.

I ran behind, beating Bluebeard’s back with my fists. Angrily, he shoved me away. I fell to the floor, hitting my head on the hard ceramic tile. Just as Bluebeard was about to slit my sister’s throat with a long, sharp knife, Inspector Jack Barnabas and several policemen jumped out of the walk-in pantry. “Drop it, Bluebeard! You’re under arrest.”

Bluebeard made a dash for the door. Bullets rang through the kitchen, bringing him down. A pool of blood oozed across the floor. My sister screamed and threw herself into the arms of Inspector Barnabas.

The ogre of Beverly Hills was dead. Since he had no other heirs, my mother inherited his vast fortune. She shut up the house, paid off the mortgage on our estate in upstate New York, and threw herself into planning a huge wedding for my sister, Charmaine.

Six months later, I walked down the aisle in a rose-colored chiffon gown, carrying a bouquet of pink roses. Charmaine followed behind in a white designer wedding dress. Inspector Jack Barnabas, looking uncomfortable in a black tuxedo, waited impatiently for her at the altar.

Jack and Charmaine lived happily ever after, making me an aunt three times over.

Dawn Pisturino

March 6, 2013

Copyright 2013-2017 Dawn Pisturino. All Rights Reserved.

HAPPY HALLOWEEN!

 

 

Leave a comment »

Miss Lizzie’s Tea Party

lamug_miss-lizzie

Miss Lizzie’s Tea Party

by Dawn Pisturino

Illustration by Ken Lamug

I never wanted to attend Miss Lizzie’s tea party, but mama insisted I go.

“Miss Borden is a kind and gentle lady,” she scolded. “I don’t want to hear anymore nonsense about those grisly axe murders! Rich young ladies like Miss Borden don’t go around chopping up people’s heads.”

“But Mama,” I protested. “Miss Lizzie and the maid were the only ones at home. Who else could have chopped off her father’s nose and split his eyeball in two?”

“That’s enough, Olivia,” Mama warned. “You’re going to the party, and that’s final.”

* * *

I had often seen Miss Lizzie sitting in an upstairs window, beckoning the neighborhood children inside for homemade cookies.

Every time she waved at me, my body quivered like gelatin fresh out of the mold. After all, this was the woman accused of hacking up her father and stepmother with a hatchet!

And even though the jury found Miss Lizzie innocent way back in 1893, folks ’round these parts never forget.

But I always reluctantly waved back, as Mama had taught me, and hurried home.

Then the invitation came. Miss Lizzie was hosting an afternoon tea party for all the children in the neighborhood.

Mama was so thrilled, she cleaned and pressed my prettiest, frilliest party dress and bought me a shiny new pair of shoes. “Papa’s law practice has been falling off lately,” she explained. “He needs a wealthy client like Miss Borden to get going again.”

Annie, the housemaid, curled my hair. “You can’t go, Miss Olivia, you just can’t. My mama told me never to go inside that house. I mean, never! And she should know. Bridget Sullivan, the Borden’s housemaid, told her there was blood and brains splattered everywhere. They found Abby Borden’s hair braid lying on the rug, sliced clean from her head!”

Tears welled up in my eyes. “I have to go, Annie. Mama will whip me with Papa’s razor strap if I don’t.”

“Well, don’t eat anything. She never admitted it, but Miss Lizzie tried to buy poison from Smith’s Drug Store right before the murders.”

* * *

Miss Lizzie opened the front door with a wide, toothy grin.

Every muscle in my body screamed, Run! Now! While you can!

But mama’s voice kept ringing in my ears. Miss Borden is a kind and gentle lady . . .

So I followed Miss Lizzie down the hall to an elegantly furnished drawing room — an empty drawing room. None of the other children had come. Cowards!

And then I saw it, gleaming by the fireplace, a shiny new axe!

Gold paint glittered along the sharp edge, marred by dark stains that looked like blood. I clenched my fists, trying hard to ease the queasiness in my stomach.

“You’re admiring my new axe,” Miss Lizzie said. She stepped closer, her pale blue eyes foggy with distant memories. “My father was quite skilled with an axe. One afternoon, I went into the barn and found my beloved pigeons lying on the ground with their heads chopped off. My father was standing over them, holding a bloody axe. I screamed and ran into the house.

“That night, Bridget served pie for dinner. Pigeon pie!” she said as her lips twisted into a smile.

The drawing room door opened then and a fat cook with a red face entered carrying a large pie in her hands. “Sit yourself down, my dear. The pie is ready to eat! I got lucky, Miss Lizzie. I found our special ingredient at Smith’s Drug Store.”

Smith’s Drug Store! I grabbed my reeling head, ready to faint at any moment. Pie! Poisoned pigeon pie!

Screaming, I lunged for the axe and swung it around, knocking the pie out of the cook’s hands, slicing off her forefinger. She howled in pain as blood spurted from the wound. I swung the axe around again, nicking Miss Lizzie’s ear. Fluffy brown curls fluttered to the floor, sliced neatly from her head.

Miss Lizzie tackled me to the ground and held me there while the cook bound her bloody hand with a towel and telephoned the police. My chest heaved with great, gulping sobs as Miss Lizzie’s face drew closer and closer until her lips brushed against my ear.

You see how easy it is,” she whispered.

THE END

Published in the February 2012 issue of Underneath the Juniper Tree.

Copyright 2012-2016 Dawn Pisturino. All Rights Reserved.

HAPPY HALLOWEEN! MAKE IT SCARY!

4 Comments »

The Haunted Boy

haunted-boy-papers1

The True Story Behind “The Exorcist” by Dawn Pisturino

In the summer of 1948, a young boy in Mount Rainier, Maryland began using an Ouija board with his aunt, who believed in spiritualism.  After she died, the boy and his family experienced disturbing sounds which woke them during the night: knocking, scratching, and marching feet.  The family witnessed the boy’s mattress furiously shaking, furniture moving on its own, and visitors thrown from a chair. Scratches and strange marks mysteriously appeared on the boy’s body.

Physicians and mental health experts could find no rational explanation for these events.  Finally, the family – which was not Catholic – consulted a local priest.

Father E. Albert Hughes interviewed the boy and later described his “dark, empty stare.”  He determined that the boy was possessed by multiple demons (Legions) and arranged to perform an exorcist at Georgetown Hospital in Washington, D.C.

The exorcism lasted for three nights, with no positive results.  The boy was sent home.  Not long after, the words “Louis” appeared on his chest.  The boy’s mother interpreted this as a sign to take him to St. Louis, Missouri, where she had relatives.

Father William Bowdern, a Jesuit priest, agreed to undertake a rigorous exorcism of the boy, who had suffered through months of violent behavior followed by periods of calm.

The boy was admitted to the Alexian Brothers Hospital in St. Louis and baptized Catholic.  During Easter week, while closely guarded and under restraint, the boy received confession and Holy Communion. Brother Rector Cornelius placed a statue of St. Michael the Archangel – Satan’s arch enemy – by the boy’s bed.  On the night of April 18, 1949, after hours of violent struggle and intense emotional resistance, the boy cried out, “He’s gone!”  By the next morning, Father Bowdern became convinced that the boy was indeed free from demonic possession.

The boy and his family returned to Maryland and spent the summer of 1949 as a normal, happy family.  The boy, whose identity has never been revealed, became known as “The Haunted Boy.”  With no memory of the dreadful events which had threatened to ruin his life, he grew up to become a scientist for NASA.

The fifth floor room at the Alexian Brothers Hospital, where the final exorcism had taken place, was permanently sealed.

Author William Peter Blatty, a devout Catholic, heard about “The Haunted Boy” while a student at Georgetown University.  He used the story of the boy’s ordeal for the basis of his best-selling novel, “The Exorcist,” one of the most terrifying and thought-provoking novels ever written.  It was later turned into a major motion picture.  Blatty wrote the screenplay.

Dawn Pisturino

Published in the Spring 2016 issue of Psychic-Magic Ezine.

Copyright 2016 Dawn Pisturino. All Rights Reserved.

 

Leave a comment »

THE GIRL WHO HATED THE SUN

drought

she hated the sun

how it filled up heaven

with energy and light

too hot and bright . . .

The poem popped into Katie’s head as she stood on the front porch, eyes closed, arms wide open, daring the Sun to kill her. Kill me, she urged, like you spoiled our farm, drove away my father, and wasted my mother. Go ahead. Do it!

The Sun swallowed her whole, dissolving her in his fiery belly.

Now that she was part of the Sun, Katie could ride through the heavens and visualize everything that happened down below.

She saw the grim black hearse pull up to the farm, and wept, as two men in plain black suits carried her mother away on a gurney. She sailed freely over the dusty brown fields that no longer yielded crops. She mourned the beds of sunflowers whose heads sagged, like dying children, out by the barn. And she said good-bye to the rusty old truck that sat, without tires, in a patch of yellow weeds.

Soon, the Pacific Ocean sparkled down below. Dolphins leaped among the waves. Throngs of people crowded the streets of Beijing, scurrying around like busy mice. Katie soared above the icy peaks of the Himalayas and swooped down to burn the white sands of Arabia. She waved at the Statue of Liberty, rejoicing that she finally got to see it.

And then she was home again, viewing the crumbling barn in pinkish light that gradually turned to yellow. She counted the shingles missing from the roof of the old house and peeked through the windows of her shabby bedroom.

And the journey repeated itself as the earth slowly turned, like a giant spit — repeated itself, day after day, until Katie cried with weariness and pain.

Now, she hovered over the old farm, shining brightly against a piece of broken glass lying in the withered grass, until one small yellow flame burst forth, catching the grass on fire. A passing breeze nudged the fire toward the house. The splintered wood burned brightly, throwing sparks into the sky. The old barn caught the sparks and exploded, fueled by old cans of paint. Showers of burning wood and straw ignited the patch of weeds. The ripped out upholstery in the old truck burst into flame. The oil pan smoldered, sending black smoke into the sky. And finally, with one burst of energy, the fuel tank exploded.

With grim satisfaction Katie cried, “I’ve killed it! I’ve killed my past life!” She snuggled up to the Sun, melting deeper into his fiery depths . . . while down below, a tiny piece of the world disappeared forever.

Dawn Pisturino

November 14, 2012

Copyright 2012-2015 Dawn Pisturino. All Rights Reserved.

Leave a comment »

Concert for the Dead

Concert for the Dead image

Story by Dawn Pisturino

Artwork by Job van Gelder

Ariel knelt before the marble niche holding the remains of her dead older brother and placed a bouquet of roses in the stone vase. Six months had passed since the horrible night a drunk driver had taken Jonathan’s life. She would never forget.

“Coach Willis still talks about you, Jonathan,” Ariel said, tracing the carved letters of his name with trembling fingers. “Nobody’s beaten your track record. You were the best. You always will be.”

She pulled some sheet music from her backpack. “The opera club is doing Purcell this year. I got the lead role. I’m so excited!” She began to sing:

“When I am laid, am laid in earth, may my wrongs create

No trouble, no trouble in thy breast;

Remember me, remember me, but ah! forget my fate . . .”*

The haunting elegy echoed through the halls of the Great Mausoleum, bringing tears to Ariel’s eyes. As the last melancholy note faded away, the mausoleum doors slammed shut. The lights flickered and dimmed.

Icy panic clawed at Ariel’s chest. She could hardly breathe. Then a long, agonizing scream tore from her throat.

She ran to the entrance and pushed against the heavy metal doors. Locked.  She searched for an intercom or emergency button. Nothing.

“Let me out!” she cried, pounding on the door. “It’s not closing time!”

Voices whispered all around her.

“No!” she howled, throwing her weight against the unyielding door.

The whispers grew louder. “We’ll let you out when the concert is over.”

 “W-what c-concert?” Ariel stammered, searching the empty air.

“The Concert for the Dead.”

And then she saw them, gliding down the dark corridors, the eerie inhabitants of this condominium for the dead.

They crowded into the main hall, hundreds of them, the ghastly and the beautiful.

Men dressed in military uniforms soaked with blood, arms ripped away, legs shredded at the knees, and heads split open, eyeballs dangling from their sockets.

Women gowned in rustling silk, faded and torn, ringlets framing faces eaten away by worms. Pale young mothers with tragic eyes, carrying shriveled up babies in their arms.

Dead children glared at Ariel with menacing faces, their transparent fingers clutching moth-eaten ragdolls and time-worn teddy bears.

An orchestra appeared. Skeletons with shreds of rotting flesh hanging from their bones. The conductor raised his baton, and the slow, plaintive strains of a violin filled the air. He

turned and looked at Ariel with one putrid eye, motioning her to begin.

I know this song. I can do it. Shaking with fear, she dug her fingernails into her palms and began to sing:

“None but the lonely heart can know my sadness

Alone and parted far from joy and gladness . . .”**

She sang until the sun disappeared and the stained glass windows lost their color. She sang until the moon ran its course and the stars began to fade. Finally, her throat too parched and raw to continue, she pleaded:

“The concert’s over. Please let me go.”

Hushed whispers rippled through the audience. Then a lone figure broke through the crowd.

“Jonathan!” Ariel cried, grateful to see a familiar face.

Smiling, he extended his arms to her. “We don’t want you to leave,” Jonathan said, drawing her close. “We want you to sing for us forever and ever and ever . . .”

Cold waxy fingers tightened around her throat. In the background, the orchestra played a quiet requiem.

* * *

When the groundskeeper found Ariel’s body the next morning, he noticed two peculiar things. Her throat was purple with finger marks, and her hair had turned completely white.

Copyright 2011-2014 Dawn Pisturino. All Rights Reserved.

This story is dedicated to my daughter, lyric soprano Ariel Pisturino

Published in the November 2011 issue of Underneath the Juniper Tree. Read it here.

Published on Brooklyn Voice, February 2012. Read it here.

 

Concert for the Dead ill-Troberg

Artwork by Asheka Troberg

 

*“Dido’s Lament,” from Dido & Aeneas by Henry Purcell

**“None but the Lonely Heart,” by Pyotr Tchaikovsky and J.W. Goethe

 Happy Halloween!

 

3 Comments »

My Salem Roots

IST-IS2176RM-00000028-001

WITCH HOUSE — SALEM, MASSACHUSETTS

(click to enlarge)

I’ve always felt a strong pull towards Salem, Massachusetts, but I didn’t understand why until I began researching my family history. As it turns out, my 12th great-grandfather was Reverend Samuel Skelton, the first Pastor of the Puritan First Church of Salem. The church, established as part of the Anglican Church, later split off and became the Second Independent Congregational Church in New England. This split enabled the Pilgrims and Puritans to unite as one colony — the Massachusetts Bay Colony.

Reverend Skelton died in 1634, so he missed the Salem Witch Trials. His daughter Mary and her husband, Nathaniel Felton, spoke out against the trials and signed petitions of innocence in favor of John Proctor, George Jacobs, and Rebecca Nurse. In spite of their efforts, nineteen people hanged, unjustly convicted of witchcraft. I think of these people every Halloween and admire the courage they showed in the face of such intense hysteria.

CLICK PHOTOS TO ENLARGE

salem-witch-trials-hawthorne

SALEM WITCH TRIALS (HAWTHORNE)

First Church of Salem marker

 PURITAN FIRST CHURCH OF SALEM MARKER

FirstChurchSalemchurch_photo_postcard_350

PURITAN FIRST CHURCH OF SALEM – NOW A UNITARIAN CHURCH

John Proctor Petition

PETITION TO FREE JOHN PROCTOR

Rebecca Nurse Petition

PETITION TO FREE REBECCA NURSE

Text copyright 2013 Dawn Pisturino. All Rights Reserved.

2 Comments »

The Punishment

325275_274750275892317_205816152785730_902438_315260233_o (2)

The Punishment

Click photo to enlarge, download, and read.

Story by Dawn Pisturino. Graphics by Rebekah Joy Plett.

Published October 18, 2011 on Underneath the Juniper Tree.
Copyright 2011 Dawn Pisturino and Rebekah Joy Plett. All Rights Reserved.

Published on The Brooklyn Voice, June 25, 2012. Read it here.

Troberg Punishment ill

Artwork by Asheka Troberg, The Brooklyn Voice. Click to enlarge.

Copyright 2012 Dawn Pisturino and Asheka Troberg. All Rights Reserved.

2 Comments »

%d bloggers like this: