Dawn Pisturino's Blog

My Writing Journey

The Dentist and Other Poems

Artwork by John Federis

(Warning! If you hate going to the dentist, don’t read this poem!)

The Dentist

by Dawn Pisturino

Now I’ve got you in my chair,

You’re not going anywhere.

So open wide, let me in,

And let the painful games begin!

See that molar on the right?

It’s in the socket way too tight.

Here’s my plier. Please don’t move.

I’ll pry that sucker from its groove!

Look, there’s a cavity over there.

My drill’s all ready. Please don’t stare!

My hands are shaking, can’t you see?

I need your confidence in me.

Oops! The blood is squirting out.

I didn’t mean to make you shout!

Your bloody tongue is in my hand.

Sit down! Don’t even try to stand!

Come back! I need to suture in—-

Oh well, another toothless grin.

February 6, 2012

Published in the April 2012 issue of Underneath the Juniper Tree.

Copyright 2012-2021 Dawn Pisturino. All Rights Reserved.

Artwork by Ken Lamug
Poem by Dawn Pisturino

CHELSEA HAD A LITTLE LAMB

Chelsea had a little lamb,

Its fleece was black as soot. 

And everywhere that Chelsea went,

That lamb was underfoot.

It followed her to school until

The cooking class went wild

And served that lamb with mint and dill,

One chop for every child!

October 6, 2011

Published in the December 2011 issue of Underneath the Juniper Tree.

Copyright 2011-2021 Dawn Pisturino. All Rights Reserved.

Artwork by Jason Smith

Poem by Dawn Pisturino

DIRTY DONALD

Dirty Donald!

His hair, full of lice,

Grows down to his shoulders,

A haven for mice. 

His teeth are all rotten,

Mildewed and black,

His tongue is so long,

He could pass for a yak. 

His breath stinks of corpses

Dug fresh from their graves,

A delicate morsel

He constantly craves. 

He glares at the ravens,

Surrounding his head,

With murderous eyes,

Pronouncing them dead. 

Then yanks out their feathers

And nibbles their toes,

Lining them up

In neat little rows. 

His clothes are so tattered,

The buzzards all say,

“What a fine looking fellow!

Let’s eat him today!” 

July 3, 2011 

Published on Underneath the Juniper Tree, July 17, 2011.  

Published in the August 2011 issue of Underneath the Juniper Tree.  

Copyright 2011-2021 Dawn Pisturino. All Rights Reserved.

Illustration by Job van Gelder

Poem by Dawn Pisturino

Down in the Graveyard

Down in the graveyard by the old oak tree

Roamed an old mother zombie and her little zombies three.

“Fresh meat!” cried the mother. “Tastes sweet!” cried the three.

And they ripped out the intestines from the caretaker, Lee.

Down in the graveyard by the mausoleum door

Lived an old mother werewolf and her little wolfies four.

“Fresh fat!” howled the mother. “Tastes great!” howled the four.

And they tore into the belly of the visitor, Lenore.

Down in the graveyard by the rusty old gate

Hung an old mother vampire and her little vampies eight.

“Fresh blood!” squeaked the mother. “Tastes good!” squeaked the eight.

And they sank their greedy fangs into the gravedigger, Nate.

Published in the September 2012 issue of Underneath the Juniper Tree.

Copyright 2012-2021 Dawn Pisturino. All Rights Reserved.

12 Comments »

Reprise: Halloween Treat

The Van Emmerick house was the most feared house in the neighborhood. For ten-year-old Tommy James, it was a dark reminder of things long ago and best forgotten; a relic of the past, old and mysterious, built by people who had lived and died many decades before he was born. He was curious about the past; fascinated with history; and the more he became aware of the house, the more he longed to explore its hidden secrets.

Tommy walked by the old Van Emmerick place twice a day, before and after school. Over the years, he had noticed many interesting details about the house. In the morning, when the sun shone full against the front of the house, two arched windows marking the second story seemed to smile at him with a “good morning!” kind of smile. The dark green paint didn’t seem so faded and cracked. The old stone porch, rudely assembled from local rocks, didn’t seem so forbidding and uninviting. The big plate glass window with the frilly white curtains seemed to sparkle in the morning light.

But in the afternoon, when the sun was low in the sky, making shadows lengthen across the old frame house, the peaked roof with the two small smoke stacks and faded red shingles gave the barn-like appearance of the house a more sinister expression. The entire structure seemed foreign and out of place. The old Victorian ornamentation, placed squarely between the two arched windows, reminded him of death and wrinkled old ladies dressed in black. The tall wrought-iron fence, set in more local rock, surrounded the property with deadly grace, effectively keeping out the curious and unwanted.

Tommy shivered, made the sign of the cross as he always did, and hurried home as fast as he could.

~

“The old Van Emmerick house, you say? Why, sure, I know all about it,” his grandfather told him one crisp afternoon in October. They were raking leaves in his own backyard while his mother prepared dinner in the kitchen. His father was still at work, and his oldest sister had left for her ballet lesson.

His grandfather had lived in Blakeville his entire life and knew a lot about the history of the town.

“Peter Van Emmerick built that house in 1880,” he recalled. “Folks around here have always called it a monstrosity. The architecture isn’t right — doesn’t fit in with the rest of the town. But Peter, being Dutch, was homesick for his own country and built the house to remind him of home. He had six children in that house by two different wives. It’s never been empty, that’s for sure. Old Amy Van Emmerick lives there now. Inherited the house from her mother. As far as I know, she’s the last of ’em. They gradually died out around here, as all old families do. The cemetery is filled with their headstones. I’ll take you there sometime to see the old graves. Would you like that, Tommy? Halloween’s coming up!”

“Sure, Gramps, any time. You know how much I like history.” But privately, Tommy wasn’t so sure. The idea of visiting a cemetery for fun, especially on Halloween, gave him the creeps.

“That’s my boy. Someday, you’ll be teaching history at the high school, just like your old granddad.” His grandfather winked at him, and Tommy stopped raking.

“Say, Gramps, how come nobody ever sees Amy Van Emmerick? I mean, how do you know she’s still alive? She could’ve died and nobody would even know it!”

“Oh, they’d know it, alright. She has a woman who comes in once a week to clean the place up and run errands for her. Selma Baintree — that’s the woman’s name. I ran into her not too long ago, and she told me that the old lady’s not doing too well, getting more frail as time goes by. It’s just a matter of time before the house will be empty, she said.”

“I’m sorry. How old is Amy Van Emmerick? I mean, you must’ve known her, Gramps!”

Yep, that’s right, Tommy. She was my first love.”

Tommy blushed. He couldn’t imagine his grandfather ever being young enough to have a first love. “Why didn’t you marry her, Gramps?”

His grandfather stopped raking and looked at him with a faraway expression on his face. “Oh, I don’t know. The Great War started, and I went off to Europe to fight the Germans. Getting married wasn’t on my mind back then. And Miss Amy went off to school in Chicago. I heard later that she was engaged to a young man from an old Chicago family, but he was killed at Dunkirk. She must’ve loved him very deeply because she came home to take care of her mother after her father died and never got involved with anybody again. She hardly left the house after that and became a regular recluse. Poor Miss Amy! She was the most beautiful girl I ever saw. The biggest blue eyes, and long golden hair like spun flax. She’d beat out the likes of Paris Hilton any day of the week!”

Tommy laughed, then stopped, when a sudden thought struck him. “Hey, Gramps, I just had an idea. Why don’t you go visit Miss Amy before she dies? I bet she’d like that a lot!”

His grandfather stroked his white-whiskered chin thoughtfully. “You know, Tommy, I never really thought about it. It seems like an invasion of the old lady’s privacy. She probably wouldn’t even know me after all these years!”

“Aw, I bet she would. She’s probably lonely shut up in that old place.”

“Maybe so,” his grandfather said. “You might just be right.”

~

“Hey, Tommy, watch this!”

Butch Abernathy pulled an egg out of his trick-or-treat bag and hurled it against the front of the old Van Emmerick house. “That’ll wake up the dead,” he shouted with glee.

The two boys hung onto the wrought-iron fence with sticky fingers, peering through the bars with eager eyes, their hearts racing with excitement. But no lights appeared. The house stared at them with black, lifeless eyes, its silhouette rising silent and dark against the cloudy night sky.

“Let’s go,” Tommy whispered. “It gives me the creeps.”

“What’re you whispering for?” asked Butch. “The fun has just begun.” He rummaged through his trick-or-treat bag and pulled out a large rock.

“No!” cried Tommy, grabbing at Butch’s arm. But it was too late. The sound of shattering glass filled his ears. His heart pounded in his chest until it hurt.

“I’m outta here!” Butch shouted; and grabbing his trick-or-treat bag, he bolted down the sidewalk.

Tommy stood alone on the sidewalk, paralyzed with fear. I never should have come here, he thought. My parents are going to kill me. And Gramps will be so disappointed . . . He couldn’t bear to disappoint his grandfather. But if he left now, who would know? Butch would never tell.

I’m going home, he thought; but as he turned to leave, the wrought-iron gate suddenly creaked open, and Tommy screamed. He ran as fast as he could to the corner, then stopped and looked back. The street was silent and deserted except for an old stray cat. A few jack-o-lanterns grinned brightly in the darkness, but the trick-or-treaters had left long ago, hurrying home before the rain started. A strong gust of wind hurled itself against him, kicking up dead leaves and dirt into his face. Coughing and sputtering, he wiped the dirt out of his eyes and headed down the sidewalk.

The old wrought-iron gate stood open before him, an invitation too tempting to resist. After all, what was the worst that could happen? He would apologize to the old lady and take his punishment like a man.

Bracing himself, he walked slowly up the weed-infested sidewalk toward the old stone stairs. There was nothing but blackness at the top of those stairs, blackness so deep and dark, it was like a giant mouth waiting to engulf him and swallow him whole. Trembling with fear, he wanted to turn around and run as fast as he could to the nearest, brightest light. But he knew in his heart that he could not face his grandfather as long as the broken window went unpunished.

Heart pounding, he trudged up the stone stairs, peering into the blackness. As he stepped onto the porch, the moon suddenly peeked out from behind a cloud, throwing a pale, silvery beam of light into the darkness and revealing a solid oak door. He raised his hand to knock on the door, when it suddenly opened with a slow, painful groan.

Tommy gasped, and his heart pounded in his ears. Breathing heavily, he stepped over the threshold, hanging onto the door for dear life. He stood still for a moment, listening hard, and waited for something to happen. But nothing did.

As his eyes adjusted to the darkness, he realized he was in a large foyer. He rapped his knuckles against the door and shouted, “Miss Amy, are you here?”

Absolute silence filled his ears except for the ticking of an old clock. He pushed the door open wider and stepped cautiously into the room. He felt for a light switch on the wall but found none. Why didn’t I bring a flashlight, he berated himself angrily.

Tommy crossed the old wooden floor and opened a set of double doors to his right. The sweet scent of roses filled the air. Outside, the wind began to howl, and raindrops splattered against the large plate glass window on the other side of the room. Tommy thought he could make out the curved outline of an old Victorian sofa under the window and the globe-like shade of an old lamp next to it. Groping his way carefully in the darkness, he was about to reach out for the lamp when a loud clap of thunder split the air, making him jump, and a bright flash of lightning lit up the sofa through the gauzy white curtains.

A figure dressed in white lay on the sofa, its long white hair spread neatly over a pillow, the wrinkled old face glowing white in the lightning flash, the large, faded blue eyes open and staring at him. The mouth hung open wide, revealing a cavernous blackness, and Tommy waited for the scream that would surely come, but no sound issued forth between those dark, thin lips. The figure’s arms were crossed over its breast, like a corpse, the fingernails long and blue. It was the most horrible thing that Tommy had ever seen in his life, and he screamed and screamed and screamed as he turned and raced for the double doors, tripping over an old ottoman in his path.

But when he looked up, something blocked his exit, a tall figure dressed in white, reaching out for him with long, clawed fingers . . .

When Tommy woke up the lights were on, and his grandfather was cradling him in his arms. “It’s okay, Tommy, it’s okay.”

“It was you!”

“Yes, it was me,” his grandfather said; “And old Miss Amy. I went to visit her, as you suggested, and we cooked up this little Halloween treat for you! Here, I want you to meet her!”

He helped Tommy to his feet, remarking on the wonderful acting job Miss Amy had done. And that make-up! Could anybody else have done a better job?

But when they leaned over the sofa to tell her it was all over, and she could stop playing around now, his grandfather suddenly became silent and felt for a pulse in the old lady’s wrist. Tommy stared, horrified, into those dead blue eyes and the slack, open mouth, and the scream rose up from his tightening throat . . .

Dawn Pisturino

2009

Copyright 2009-2021 Dawn Pisturino. All Rights Reserved.

HAPPY HALLOWEEN! Make it scary!

“This is Halloween,” performed by Marilyn Manson, from the Tim Burton movie, Nightmare Before Christmas.

5 Comments »

Reprise: The Ethereal World of Sir Simon Marsden

Sir Simon Marsden (1948-2012) was known as an ethereal British photographer who transported the viewer to a dark and phantasmic world with his eerie photographs. Introduced by his father at a young age to books and stories about the supernatural, Marsden developed a keen interest in the paranormal. He even grew up in two English manors that were allegedly haunted, Panton Hall and Thorpe Hall. Thorpe Hall, in particular, housed the “Green Lady,” the ghost of a woman who committed suicide in the 1600s.

Marsden became a fan of such writers as Arthur Machen, M.R. James, and Edgar Allen Poe. At the age of 21, he received his first camera and embarked on a lifelong love affair with photography. He traveled throughout Britain, France, and the United States, perfecting his signature style, and became known for his haunting images of haunted sites.

A number of books were published featuring his photographs, and his work was exhibited throughout Britain and elsewhere. He was a master in the use of infrared film and printing his own photographs, which gave him control over the quality of his work.

A staunch believer in the supernatural, Marsden described several paranormal encounters that he experienced at ancient haunted sites. At the Rollright Stones in Long Compton, Warwickshire, he was pushed by an invisible force, which knocked the camera out of his grasp. At Woodlawn House in County Gallway, he and director Jason Figgis heard the mournful wailing of a woman who could not be found anywhere on the premises.

Marsden became 4th Baronet in 1997. His collection can be viewed here:

http://www.marsdenarchive.com.

Dawn Pisturino

August 2017

Published in the Autumn 2017 issue of Psychic Magic e-zine.

Copyright 2017-2021 Dawn Pisturino. All Rights Reserved.

Photo by Sir Simon Marsden.
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The Triduum of All Hallows’ Eve

In the Celtic world, the end of October and beginning of November were set aside for a great feast every year to celebrate the end of the summer (or Samhain) and the beginning of winter. People played games and told stories about great Celtic heroes and the gods and goddesses of Celtic lore.

The festival also marked the thinning of the veil between this world and the Other World. The spirits of the dead could visit this world, and the living could visit the land of the dead.

Samhain was so special, in fact, the normal laws of the universe did not apply. Fairies left their underground homes, and ordinary humans were subjected to fantastic dreams and adventures (often involving fairies). Families called on the spirits of dead ancestors to visit them. And the spirits who responded to their calls were often granted special powers. Celtic monsters prowled the earth with such ferocity that even the gods and goddesses were no match for them. In Ireland, Aillen mac Midna re-enacted his annual ritual and burned the court of Tara to ashes.

Bonfires blazed on the hilltops, lighting up the shortening nights. These bonfires were so significant that their ashes were used in magical charms to ward off illness and disease.

Today, Samhain is celebrated as Halloween on October 31st. The word “Halloween” actually means All Hallows’ Eve, or the eve of All Saints’ Day, which is celebrated in the Christian community on November 1st. This special day is set aside to honor the souls and memories of martyrs and saints. November 2nd is known as All Souls’ Day (or Dia de Los Muertos),when Christians pray for the souls of their dearly departed. These three days are known collectively as the Triduum of All Hallows’ Eve (or Hallowtide).

Evangelical Lutheran Church in Roke, Sweden, celebrating All Saints’ Day. Photo by David Castor.

Remember: the custom of carving and lighting turnips, pumpkins, and other gourds was meant to ward off the evil spirits that might visit on Halloween. Halloween is also a time to dress up and make merry! In the United States, it marks the beginning of the holiday season that runs through New Year’s Day. So eat, drink, and be merry!

Dawn Pisturino

October 26, 2021

Copyright 2021 Dawn Pisturino. All Rights Reserved.

10 Comments »

The Screaming Skull and Other Poems

THE SCREAMING SKULL

by Dawn Pisturino

The skull screams when the moon is bright,

Warning of evil a-foot in the night,

Calling to phantoms hidden from sight,

Keeping them all at bay.

Shrieking aloud when the zombies fight,

It glows in the darkness, waking with fright,

Shivering children, crying for light,

Fearful ’til break of day.

High on a shelf, when the bats take flight,

The dead skull cries with all its might,

Disrupting dreams, however slight,

Sending them all away.

September 20, 2011

THE GHOST

by Dawn Pisturino

Creeping footfalls on the stair warn me that a ghost is there.

Shivering in my bed with fright, the door creaks open . . .

I TOLD YOU HE WAS REAL!

(good night)

January 5, 2012

THE FAIRIES

by Dawn Pisturino

Deep within the forest,

Inside a magic ring,

Fairy lads pluck at their harps

While fairy maidens sing.

Queen Mab, arrayed in starlight,

Sits upon her chair,

Plotting all the dirty tricks

No other folk would dare.

Last spring they stole poor Margaret,

Sound asleep in bed.

They laid her in the Irish Sea

With stones beneath her head.

The fishes kept close vigil,

Traditional at wakes.

“Too bad,” remarked a hungry shark.

A lovely corpse she makes!”

January 19, 2012

HAPPY HALLOWEEN!

 All Poems Published on Danse Macabre du Jour, October 30, 2013.

All poems copyright 2011-2021 Dawn Pisturino. All Rights Reserved.

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Reprise: Concert for the Dead

Story by Dawn Pisturino.

Illustration by Job van Gelder.

Dedicated to my daughter, lyric soprano Ariel Pisturino.

Ariel knelt before the marble niche holding the remains of her dead older brother and placed a bouquet of roses in the stone vase. Six months had passed since the horrible night a drunk driver had taken Jonathan’s life. She would never forget.

“Coach Willis still talks about you, Jonathan,” Ariel said, tracing the carved letters of his name with trembling fingers. “Nobody’s beaten your track record. You were the best. You always will be.”

She pulled some sheet music from her backpack. “The opera club is doing Purcell this year. I got the lead role. I’m so excited!” She began to sing:

“When I am laid, am laid in earth, may my wrongs create

No trouble, no trouble in thy breast;

Remember me, remember me, but ah! forget my fate . . .”*

The haunting elegy echoed through the halls of the Great Mausoleum, bringing tears to Ariel’s eyes. As the last melancholy note faded away, the mausoleum doors slammed shut. The lights flickered and dimmed.

Icy panic clawed at Ariel’s chest. She could hardly breathe. Then a long, agonizing scream tore from her throat.

She ran to the entrance and pushed against the heavy metal doors. Locked.  She searched for an intercom or emergency button. Nothing.

“Let me out!” she cried, pounding on the door. “It’s not closing time!”

Voices whispered all around her.

“No!” she howled, throwing her weight against the unyielding door.

The whispers grew louder. “We’ll let you out when the concert is over.”

“W-what c-concert?” Ariel stammered, searching the empty air.

“The Concert for the Dead.”

And then she saw them, gliding down the dark corridors, the eerie inhabitants of this condominium for the dead.

They crowded into the main hall, hundreds of them, the ghastly and the beautiful.

Men dressed in military uniforms soaked with blood, arms ripped away, legs shredded at the knees, and heads split open, eyeballs dangling from their sockets.

Women gowned in rustling silk, faded and torn, ringlets framing faces eaten away by worms. Pale young mothers with tragic eyes, carrying shriveled up babies in their arms.

Dead children glared at Ariel with menacing faces, their transparent fingers clutching moth-eaten ragdolls and time-worn teddy bears.

An orchestra appeared. Skeletons with shreds of rotting flesh hanging from their bones. The conductor raised his baton, and the slow, plaintive strains of a violin filled the air. He turned and looked at Ariel with one putrid eye, motioning her to begin.

I know this song. I can do it. Shaking with fear, she dug her fingernails into her palms and began to sing:

“None but the lonely heart can know my sadness

Alone and parted far from joy and gladness . . .”**

She sang until the sun disappeared and the stained glass windows lost their color. She sang until the moon ran its course and the stars began to fade. Finally, her throat too parched and raw to continue, she pleaded:

“The concert’s over. Please let me go.”

Hushed whispers rippled through the audience. Then a lone figure broke through the crowd.

“Jonathan!” Ariel cried, grateful to see a familiar face.

Smiling, he extended his arms to her. “We don’t want you to leave,” Jonathan said, drawing her close. “We want you to sing for us forever and ever and ever . . .”

Cold waxy fingers tightened around her throat. In the background, the orchestra played a quiet requiem.

* * *

When the groundskeeper found Ariel’s body the next morning, he noticed two peculiar things. Her throat was purple with finger marks, and her hair had turned completely white.

Copyright 2011-2021 Dawn Pisturino, Job van Gelder, and Asheka Troberg. All Rights Reserved.

This story is dedicated to my daughter, lyric soprano Ariel Pisturino.

Published in the November 2011 issue of Underneath the Juniper Tree. Read it here.

Published on Brooklyn Voice, February 2012.

Artwork by Asheka Troberg.

*“Dido’s Lament,” from Dido & Aeneas by Henry Purcell

**“None but the Lonely Heart,” by Pyotr Tchaikovsky and J.W. Goethe

Artwork by Jason Smith. I commissioned this Concert for the Dead artwork for my daughter, Ariel Pisturino, as a gift.

Copyright 2011-2021 Jason Smith. All Rights Reserved.

Happy Halloween! Make it scary!

Photo by Dawn Pisturino.

11 Comments »

Reprise: The Punishment

“Hey, Tommy, look at this!” With fiendish fervor, Butch Abernathy hurled a rock against the front of the old Pomeroy house. “That oughta wake the dead!”

“No!” Tommy cried.

But it was too late. The sound of shattering glass splintered the night. The old Victorian house shuddered, sighed, and groaned a low, mournful cry.

Butch bolted down the street. “Sucker!” he yelled over his shoulder.

Tommy turned to run, but invisible fingers grabbed his ankles. He kicked and stomped, struggling to break free but the Hands gripped tighter. They dragged him, screaming, along the weed-infested sidewalk and up the crumbling stairs into darkness as black as molasses. Then down, down, down into the cavernous depths below. A flickering lantern revealed the awful punishment that awaited him.

The Hands shoved him onto his knees, rammed his head into a wooden cradle, and yanked his wrists behind his back.

“But I didn’t do anything!” Tommy screamed.

The blade of the guillotine came slashing down.

The End

Story by Dawn Pisturino.

Graphics by Rebekah Joy Plett. Click photo to enlarge.

Published October 18, 2011 on Underneath the Juniper Tree.
Copyright 2011-2021 Dawn Pisturino and Rebekah Joy Plett. All Rights Reserved.

Published on The Brooklyn Voice, June 25, 2012.

Troberg Punishment ill

Artwork by Asheka Troberg, The Brooklyn Voice. Click photo to enlarge.

Copyright 2012-2021 Dawn Pisturino and Asheka Troberg. All Rights Reserved.

4 Comments »

The Seance: A Short Story

The heavy iron gates of Bellemont Cemetery stood open like silent sentries, daring her to enter. Lila hesitated, fearful that once she passed through those gates, they would close behind her, trapping her in a cold, dark, colorless place forever. Thick brick walls enclosed the historic cemetery on all sides, walls much too high to climb if she became trapped. She forced herself to close her eyes and take a deep breath, squelching the rising wave of panic inside her. Then, heart pounding, she hurried through the ominous gates and breathed a sigh of relief when they remained open behind her.

A thick line of trees leaned wearily against the walls, their branches swaying in the cold wind. All around her, the trees were alive with sound: raindrops drip, dripping off rain-soaked leaves onto the rich, mossy soil below; a merry chorus of tiny birds chattering in the treetops, flitting here, then there, delighting in their wet, dewy bower. Overhead, the sky was heavy with white and gray clouds moving rapidly with the wind. More rain threatened to fall. But suddenly, long beams of shimmering sunlight broke through the clouds, caressing the earth with wraith-like fingers, providing a glimpse of heaven, and the possibility of angels breaking into song. Raindrops glistened like silver beads of light in the trees; the last of the autumn leaves burst into fiery red and gold flame; and she was alone, blissfully alone, in a magical world.

Lila breathed in the pure, rain-washed air; inhaled the heavy odor of decaying leaves; the spicy scents of cedar and pine; and the delicate perfume of roses, pink ones and black ones, which she carried in a large bouquet in her hands. She held them to her nose, luxuriating in the sweet aroma, and felt the wetness of raindrops on their velvety petals.

A damp chill rose up from the earth, making her shiver, and she pulled her heavy, black velvet cloak closer around her. The heels of her black leather boots echoed on the pavement. The skirt of her long, black velvet dress clung to her with dampness. But she didn’t care — she was nearly there.

At a fork in the path, she stopped. Gingerly, she stuck one booted foot onto the rain-soaked autumn grass, turned stubby and brown. But the ground held firm, so she continued through the grass, feeling the cold dampness penetrate into her feet.

She walked among the ancient headstones with care, noting with sadness how they leaned and crumbled in the shadows, their weathered faces obliterated over time, their stories forever silenced, forgotten, erased from the world. But a few remained to tell their tales: Baby Emma, dead of pneumonia after two days of life in 1842; Mary Whitehead, Beloved Wife and Mother, died age 27 in childbirth, May She Rest in Peace; Harold Whitby, who died a local hero in the Civil War; and Hope Blaisdale, born 1767, Asleep in the Arms of Jesus since 1857.

So many lives, come and gone; so many hopes and dreams passed away; so many joys and sorrows extinguished forever; so many years gone by. Both the hardness and frailty of life were represented in this place, and she was overcome, once again, with the stark realization of life’s shortness and the finality of death.

She found what she wanted in the newer section of the cemetery, a gentle, grassy slope once sparsely populated. But ten years had witnessed the gradual appearance of many smooth, cleanly-engraved marble headstones, and the open, park-like feel of this section was disappearing. Many of the more recent headstones were simple oblong markers embedded in the soil, flush with the earth, to make it more convenient for the mowers. They lacked the character and history of the older stones. But here they were, and here they would stay, until decades from now they, too, would appear weathered and worn, a testament to the passage of Time.

She had insisted on a more enduring headstone to honor the memory of her dead husband. She stood before it now, examining the clean whiteness of the weeping angel’s marble arms flung mournfully over the shiny, black marble headstone where her husband’s vital statistics were deeply engraved. It was not a new idea. The Victorians had doted on the image of weeping grief. She had borrowed the idea from William Wetmore Story, an American artist who sculpted the original monument for himself and his wife in 1894. It now stood in the Protestant cemetery in Rome, where they were buried. Lila had kept most of the original design but paid the sculptor to sculpt her own image onto the angel’s face — and it was her own grief represented in the statue.

She knelt before the marble monument and placed the pink and black roses in the bronze vase embedded in the marble base. Pink for everlasting love; black for everlasting death. It was an annual ritual which had consumed her life for the last ten years. She uncovered her head, feeling the damp, misty air all around her, and traced the carved letters of her husband’s name with one gloved finger.

“Happy birthday, Jonathan,” she said softly, and tears filled her eyes. With loving hands, she brushed away a few dead leaves clinging stubbornly to the cold, wet marble. Ten years ago, she had vowed to keep his memory pristine and shining. She would not allow him to be forever silenced.

The dull ache of her everyday grief filled the empty loneliness of her life, reminding her listless spirit that she was still very much alive and obligated to remain so until either God or the devil decided otherwise; but today, on the most special day of her year, when the ritual of her grief found its most sublime expression, she needed no reminder of the separation that lay between herself and her husband. The hardness of the marble headstone felt all too real beneath her fingers; the shortness of his precious life felt all too bitter in her heart:

Jonathan Harkins

Born October 31, 1952

Died June 21, 1997

Beloved Husband, Lover, and Friend

She leaned over and kissed the cold, hard stone, unmindful of the clinging dampness or the tears streaming down her face.

“Tonight,” she said hopefully, and believed it in her heart.

* * *

At nine o’clock, when she felt certain there would be no more Halloween revelers at the front door, she stoked up the fire in the fireplace, turned down the lights, and placed a small, round mahogany table in front of the fire. She covered the table with a large square of deep purple velvet cloth and set out the wooden Ouija board and plastic planchette. She placed a small silver candelabra on the table next to the Ouija board, filled the candleholders with pink and black candles, and carefully lit each one. The effect was charmingly romantic, definitely Gothic, in keeping with her annual birthday ritual; and she said a silent prayer, hoping that this would be the year when Jonathan’s promise would come true. Then she changed into a long, black velvet gown embroidered with tiny silver stars and waited for her guests to arrive.

It wasn’t long before she heard a brisk knock on the front door, and she opened it with a large smile to admit two women of varying ages and costumes. They removed their coats, handing them to their hostess, and looked around the darkened room in expectation.

“How charming!” exclaimed a young woman with blazing red hair and large, green eyes dressed in a long-sleeved, forest green gown with red embroidery on the tight bodice. The material clung to her slender figure, emphasizing her plump breasts. “Lila, you’ve absolutely outdone yourself!” She leaned up and kissed her hostess on the cheek.

Lila crossed her fingers. “This year, Maureen; it has to be this year!”

“We’ll do our best, my dear.” She turned to her companion. “This is Madame Angeline, our guest psychic, just arrived from Boston, Massachusetts. Her reputation is impeccable!”

The older woman with platinum blonde hair and faded violet eyes was dressed in a long-sleeved, lavender-colored gown adorned with vintage cream-colored lace at the wrists and throat. An old ivory cameo was pinned to the starched, Victorian-style high collar, and Lila wondered how the woman could breathe. She stretched out her hand, and the woman took it gently, turning it over to examine her palm.

“Madame Angeline sees many things, my dear,” she said with a slight French accent. “But for you, I see a long, happy life — if you will allow it to be.”

Lila removed her hand from the old woman’s grasp. “Thank you, Madame,” she said nervously. “We will see tonight if that prophesy comes true or not.”

Madame Angeline shrugged. “A cup of hot tea with cream would be lovely. The air is quite damp outside.”

“Certainly. And you, Maureen?”

“I’ll pass. I’m nervous enough without adding caffeine.”

“Then, I’ll be right back,” Lila said. “Here, the table is all ready. Please take your preferred seat, Madame.”

Merci.” The old woman seated herself in front of the Ouija board where she could easily reach the planchette. The chair opposite was left for Lila, and Maureen took the third chair to the side.

Lila returned shortly with a serving trolley bearing a large pot of black tea and a small, white birthday cake decorated with pink and black candles.

Madame Angeline observed the cake with a strange look in her eyes, but said nothing. Maureen smiled apologetically. “Lila, dear, you really must explain to Madame what this is all about.”

Lila poured cups of hot tea for herself and Madame Angeline and sat down in the empty chair. She took a few sips of the strong hot liquid and began:

“My husband, Jonathan, was a psychologist who became interested in the paranormal when he took on a young man with schizophrenic tendencies as a patient. This young man was a gifted artist who had visions of another world after death. He painted beautiful canvasses depicting a world full of light and angels and unearthly spirits. His paintings sold well, but the young man’s visions grew in frequency to the point where he could no longer function in the real world. He began to drink and use street drugs, and he finally sought counseling for his substance abuse.

“Jonathan took the young man under his wing, so to speak, and became convinced over time that the young man’s visions were real. He became obsessed with the idea of life after death, reading every book he could find on the subject.

“When Jonathan was diagnosed with brain cancer, we were both devastated. Right from the beginning, the doctors told us it was hopeless. We tried chemo and radiation, but nothing worked. We finally turned to hospice, and Jonathan died in this very house ten years ago.

“Before he died, however, he promised to come back on his birthday and prove to me that there is life after death. We chose a special number code that only he and I knew, and if that code was revealed during a seance or Ouija session, that would be his message to me that life after death is real and everlasting.

“It sounds crazy, I know, but I have celebrated his birthday and honored his death every year for the last ten years without fail. We have hired a different psychic or medium every year, to no avail. There has been nothing but silence from the grave. We were hoping that tonight would be different.”

She reached over and squeezed Maureen’s hand. “Maureen has been my loyal friend through all of this. She has been right here with me through all the disappointment and pain for the last ten years. He has to come tonight, Madame, he has to! I don’t know how much more of this I can stand!”

Madame Angeline listened to her gravely, then closed her eyes, took a deep breath, and let it out slowly. Then she placed her fingers gently on the planchette.

“Place your fingers lightly on the planchette, and do not force it to move!” The two women complied. “Now, open your minds and hearts to the celestial realm and join me in calling on the spirit of Jonathan Harkins!”

Lila’s heart leaped in her chest in anticipation. Please, God, let tonight be the night, she prayed silently.

Madam Angeline continued. “Jonathan Harkins, ten years ago, before you passed on to the other side, you made a promise to your wife, Lila, that you would send a message to her from the other side on the anniversary of your birthday if — and only if — you were able to do so. Please come to us tonight, on the anniversary of your forty-fifth birthday, and deliver that message!”

The fire crackled in the background, and the candles softly flickered. Outside, the wind howled gently against the windows. Then the soft patter of rain could be heard upon the roof. The lighted jack-o-lantern sitting on the hearth grinned a snaggle-toothed grin, and the odor of burning wax and pine logs filled the room. But the planchette did not move.

Once again, Madame Angeline took a deep breath, let it out, and continued. “I call upon all the spirits of Heaven and Hell to dissolve the veil between life and death, spirit and flesh, darkness and light, and allow the spirit of our beloved Jonathan Harkins to break on through to this material world on this holiest of nights, when the barriers between life and death are at their weakest, so that he may impart the message he promised to give to his beloved wife, Lila.”

Lila’s heart pounded in her chest, and a thin film of sweat dampened her brow. Her fingers trembled, but the planchette did not move. She looked nervously at Maureen and smiled faintly. Maureen smiled back reassuringly, her eyes glowing like green emeralds in the candlelight.

Once again, Madame Angeline closed her eyes, threw back her head, and said loudly, “I call upon the spirit of Jonathan Harkins to appear in this room and deliver the message he promised to give ten years ago!”

Lila and Maureen each held their breath as they waited for the planchette to begin moving idly across the board, slowly at first, then gathering speed. But instead of searching for alphabetical letters or numbers or touching upon the oui or the ja or even good-bye, the little plastic instrument sat there silently, mocking them both.

Lila stared at the planchette in disbelief. “It’s no good, my dear,” Madame Angeline said quietly. “Jonathan is not going to appear.”

“I don’t believe it,” Lila said, gripping the planchette tightly. “You didn’t try hard enough. In fact, you hardly tried at all.”

Madame Angeline reached for her hand across the table. “Remember what I said, cherie. You will have a long and happy life — IF YOU ALLOW IT. Ten years is a long time to wait. You are still young — only 42, am I right? Young enough to remarry — have a child, if you like. This obsession with grief is unhealthy. Life was meant for the living. For some unknown reason, Jonathan is not able to reach you from beyond the grave. That does not mean he’s lost to you forever or that he’s suffering in any way. It simply means that it’s not God’s will that he contact you. It’s time to let it go.”

“I can’t let it go, especially when he promised –“

“People make a lot of promises on their deathbeds, my dear; sometimes, not very wise ones.” Madame Angeline stood up and prepared to leave. “If you will bring my coat, Lila, I will say good-night to you.”

Lila stared at the little plastic planchette held tightly in her hand. Ten years of grief and frustrated hope burned inside of her, and she wanted to scream. She squeezed the planchette until the plastic cracked in her hand, and she threw it on the floor in disgust. Then she grabbed the Ouija board and flung it into the fireplace, making the fire sizzle and pop.

Lila stood up and pointed an accusing finger at Madame Angeline. “You don’t believe me! You never believed that Jonathan would come back! You’re nothing but a fraud!”

“Lila!” Maureen cried. “Madame Angeline is just trying to help you!”

“She’s not receptive to help,” Madame Angeline said sternly. “Please get my coat so I can leave.”

When they heard the knock on the front door, they were all startled, then annoyed. It was too late for visitors. Cautiously, Lila opened the front door without releasing the safety chain. She peered through the open crack at a stranger visible under the porch light. He was standing in the rain holding his brown overcoat over his head. He smiled at her apologetically.

“Excuse me, ma’am, but I seem to have run out of gas, and my cell phone battery is dead. Can I please use your phone? I know it’s late, but I have no other way to get home. I live about two blocks from here, at 12145 Maplewood Court. I could walk, I guess, but the weather isn’t too good out here. I’d really appreciate it.”

Lila stared at him, not believing her ears. “12145, you said? Did you say 12145?”

“That’s what I said.”

Lila’s heart leaped in her chest. “12145!” she exclaimed, clutching her hands to her breast and laughing ecstatically. She turned around. “That’s it! That’s the code! Did you hear, Madame Angeline? He’s come back! Jonathan’s come back!”

Maureen and Madame Angeline stared at her in stunned silence.

“Did you hear me?” Lila cried. “JONATHAN’S COME BACK! That man out there just gave me the code!”

But Maureen and Madame Angeline just looked at her in disbelief.

“Here, I’ll prove it to you!” Lila fumbled with the safety chain, released it, and threw open the door. But the stranger was already down the walk, disappearing into the rainy darkness. “No!” Lila cried. “Please don’t go!” She hurried after him, arms waving wildly, and calling frantically, “Come back!” until the rain and darkness engulfed him, and she was alone.

* * *

NOTE: This story is about Lila’s fear of death, her attachment to grief, and her inability to accept her husband’s death. Sometimes, authors get attached to their own words – “their little darlings,” as Stephen King would say. I would really like feedback from you, The Reader! Is the story too long? Too boring? Too wordy? What needs to be cut out? Or is it okay as it is? Please leave your feedback in the comments below – and, thanks!

Dawn Pisturino

October 15, 2021

Copyright 2009-2021 Dawn Pisturino. All Rights Reserved.

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Haunted Boy – The True Story Behind “The Exorcist”

In the summer of 1948, a young boy in Mount Rainier, Maryland began using an Ouija board with his aunt, who believed in spiritualism.  After she died, the boy and his family experienced disturbing sounds which woke them during the night: knocking, scratching, and marching feet.  The family witnessed the boy’s mattress furiously shaking, furniture moving on its own, and visitors thrown from a chair. Scratches and strange marks mysteriously appeared on the boy’s body.

Physicians and mental health experts could find no rational explanation for these events.  Finally, the family – which was not Catholic – consulted a local priest.

Father E. Albert Hughes interviewed the boy and later described his “dark, empty stare.”  He determined that the boy was possessed by multiple demons (Legions) and arranged to perform an exorcist at Georgetown Hospital in Washington, D.C.

The exorcism lasted for three nights, with no positive results.  The boy was sent home.  Not long after, the words “Louis” appeared on his chest.  The boy’s mother interpreted this as a sign to take him to St. Louis, Missouri, where she had relatives.

Father William Bowdern, a Jesuit priest, agreed to undertake a rigorous exorcism of the boy, who had suffered through months of violent behavior followed by periods of calm.

The boy was admitted to the Alexian Brothers Hospital in St. Louis and baptized Catholic.  During Easter week, while closely guarded and under restraint, the boy received confession and Holy Communion. Brother Rector Cornelius placed a statue of St. Michael the Archangel – Satan’s arch enemy – by the boy’s bed.  On the night of April 18, 1949, after hours of violent struggle and intense emotional resistance, the boy cried out, “He’s gone!”  By the next morning, Father Bowdern became convinced that the boy was indeed free from demonic possession.

The boy and his family returned to Maryland and spent the summer of 1949 as a normal, happy family.  The boy, whose identity has never been revealed, became known as “The Haunted Boy.”  With no memory of the dreadful events which had threatened to ruin his life, he grew up to become a scientist for NASA.

The fifth floor room at the Alexian Brothers Hospital, where the final exorcism had taken place, was permanently sealed.

Author William Peter Blatty, a devout Catholic, heard about “The Haunted Boy” while a student at Georgetown University.  He used the story of the boy’s ordeal for the basis of his best-selling novel, The Exorcist, one of the most terrifying and thought-provoking novels ever written.  It was later turned into a major motion picture.  Blatty wrote the screenplay.

Dawn Pisturino

Published in the Spring 2016 issue of Psychic-Magic Ezine.

Copyright 2016-2021 Dawn Pisturino. All Rights Reserved.

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The Vampyre; a Tale by John William Polidori

(John William Polidori painting by F.G. Gainsford)

On June 15, 1816, at Villa Diodati on Lake Geneva in Switzerland, four infamous people gathered together for an evening of story-telling: bad-boy poet, Lord, George Byron; his personal physician, John Polidori; feminist writer, Mary Wollstonecraft Godwin; and romantic poet, Percy Bysshe Shelley. Lord Byron had proposed a contest to see who could write a scary story. Lord Byron and Percy Shelley were only able to produce fragments. But, John Polidori produced The Vampyre, a short story which was published in the April 1819 issue of New Monthly Magazine and became “the first published modern vampire story in [England].” Mary Godwin [Shelley] created the framework for her sci fi/horror story, Frankenstein.

The 1986 Ken Russell movie, Gothic, gives us a fictionalized portrait of that night.

This is a short story, so I have posted it in its entirety:

THE
VAMPYRE;

A Tale.

By John William Polidori

LONDON
PRINTED FOR SHERWOOD, NEELY, AND JONES
PATERNOSTER ROW

1819
[Entered at Stationers’ Hall, March 27, 1819]
Gillet, Printer, Crown Court, Fleet Street, London.

IT happened that in the midst of the dissipations attendant upon a London winter, there appeared at the various parties of the leaders of the ton a nobleman, more remarkable for his singularities, than his rank. He gazed upon the mirth around him, as if he could not participate therein. Apparently, the light laughter of the fair only attracted his attention, that he might by a look quell it, and throw fear into those breasts where thoughtlessness reigned. Those who felt this sensation of awe, could not explain whence it arose: some attributed it to the dead grey eye, which, fixing upon the object’s face, did not seem to penetrate, and at one glance to pierce through to the inward workings of the heart; but fell upon the cheek with a leaden ray that weighed upon the skin it could not pass. His peculiarities caused him to be invited to every house; all wished to see him, and those who had been accustomed to violent excitement, and now felt the weight of ennui, were pleased at having something in their presence capable of engaging their attention. In spite of the deadly hue of his face, which never gained a warmer tint, either from the blush of modesty, or from the strong emotion of passion, though its form and outline were beautiful, many of the female hunters after notoriety attempted to win his attentions, and gain, at least, some marks of what they might term affection: Lady Mercer, who had been the mockery of every monster shewn in drawing-rooms since her marriage, threw herself in his way, and did all but put on the dress of a mountebank, to attract his notice:—though in vain:—when she stood before him, though his eyes were apparently fixed upon her’s, still it seemed as if they were unperceived;—even her unappalled impudence was baffled, and she left the field. But though the common adultress could not influence even the guidance of his eyes, it was not that the female sex was indifferent to him: yet such was the apparent caution with which he spoke to the virtuous wife and innocent daughter, that few knew he ever addressed himself to females. He had, however, the reputation of a winning tongue; and whether it was that it even overcame the dread of his singular character, or that they were moved by his apparent hatred of vice, he was as often among those females who form the boast of their sex from their domestic virtues, as among those who sully it by their vices.

About the same time, there came to London a young gentleman of the name of Aubrey: he was an orphan left with an only sister in the possession of great wealth, by parents who died while he was yet in childhood. Left also to himself by guardians, who thought it their duty merely to take care of his fortune, while they relinquished the more important charge of his mind to the care of mercenary subalterns, he cultivated more his imagination than his judgment. He had, hence, that high romantic feeling of honour and candour, which daily ruins so many milliners’ apprentices. He believed all to sympathise with virtue, and thought that vice was thrown in by Providence merely for the picturesque effect of the scene, as we see in romances: he thought that the misery of a cottage merely consisted in the vesting of clothes, which were as warm, but which were better adapted to the painter’s eye by their irregular folds and various coloured patches. He thought, in fine, that the dreams of poets were the realities of life. He was handsome, frank, and rich: for these reasons, upon his entering into the gay circles, many mothers surrounded him, striving which should describe with least truth their languishing or romping favourites: the daughters at the same time, by their brightening countenances when he approached, and by their sparkling eyes, when he opened his lips, soon led him into false notions of his talents and his merit. Attached as he was to the romance of his solitary hours, he was startled at finding, that, except in the tallow and wax candles that flickered, not from the presence of a ghost, but from want of snuffing, there was no foundation in real life for any of that congeries of pleasing pictures and descriptions contained in those volumes, from which he had formed his study. Finding, however, some compensation in his gratified vanity, he was about to relinquish his dreams, when the extraordinary being we have above described, crossed him in his career.

He watched him; and the very impossibility of forming an idea of the character of a man entirely absorbed in himself, who gave few other signs of his observation of external objects, than the tacit assent to their existence, implied by the avoidance of their contact: allowing his imagination to picture every thing that flattered its propensity to extravagant ideas, he soon formed this object into the hero of a romance, and determined to observe the offspring of his fancy, rather than the person before him. He became acquainted with him, paid him attentions, and so far advanced upon his notice, that his presence was always recognised. He gradually learnt that Lord Ruthven’s affairs were embarrassed, and soon found, from the notes of preparation in —— Street, that he was about to travel. Desirous of gaining some information respecting this singular character, who, till now, had only whetted his curiosity, he hinted to his guardians, that it was time for him to perform the tour, which for many generations has been thought necessary to enable the young to take some rapid steps in the career of vice towards putting themselves upon an equality with the aged, and not allowing them to appear as if fallen from the skies, whenever scandalous intrigues are mentioned as the subjects of pleasantry or of praise, according to the degree of skill shewn in carrying them on. They consented: and Aubrey immediately mentioning his intentions to Lord Ruthven, was surprised to receive from him a proposal to join him. Flattered by such a mark of esteem from him, who, apparently, had nothing in common with other men, he gladly accepted it, and in a few days they had passed the circling waters.

Hitherto, Aubrey had had no opportunity of studying Lord Ruthven’s character, and now he found, that, though many more of his actions were exposed to his view, the results offered different conclusions from the apparent motives to his conduct. His companion was profuse in his liberality;—the idle, the vagabond, and the beggar, received from his hand more than enough to relieve their immediate wants. But Aubrey could not avoid remarking, that it was not upon the virtuous, reduced to indigence by the misfortunes attendant even upon virtue, that he bestowed his alms;—these were sent from the door with hardly suppressed sneers; but when the profligate came to ask something, not to relieve his wants, but to allow him to wallow in his lust, or to sink him still deeper in his iniquity, he was sent away with rich charity. This was, however, attributed by him to the greater importunity of the vicious, which generally prevails over the retiring bashfulness of the virtuous indigent. There was one circumstance about the charity of his Lordship, which was still more impressed upon his mind: all those upon whom it was bestowed, inevitably found that there was a curse upon it, for they were all either led to the scaffold, or sunk to the lowest and the most abject misery. At Brussels and other towns through which they passed, Aubrey was surprized at the apparent eagerness with which his companion sought for the centres of all fashionable vice; there he entered into all the spirit of the faro table: he betted, and always gambled with success, except where the known sharper was his antagonist, and then he lost even more than he gained; but it was always with the same unchanging face, with which he generally watched the society around: it was not, however, so when he encountered the rash youthful novice, or the luckless father of a numerous family; then his very wish seemed fortune’s law—this apparent abstractedness of mind was laid aside, and his eyes sparkled with more fire than that of the cat whilst dallying with the half-dead mouse. In every town, he left the formerly affluent youth, torn from the circle he adorned, cursing, in the solitude of a dungeon, the fate that had drawn him within the reach of this fiend; whilst many a father sat frantic, amidst the speaking looks of mute hungry children, without a single farthing of his late immense wealth, wherewith to buy even sufficient to satisfy their present craving. Yet he took no money from the gambling table; but immediately lost, to the ruiner of many, the last gilder he had just snatched from the convulsive grasp of the innocent: this might but be the result of a certain degree of knowledge, which was not, however, capable of combating the cunning of the more experienced. Aubrey often wished to represent this to his friend, and beg him to resign that charity and pleasure which proved the ruin of all, and did not tend to his own profit;—but he delayed it—for each day he hoped his friend would give him some opportunity of speaking frankly and openly to him; however, this never occurred. Lord Ruthven in his carriage, and amidst the various wild and rich scenes of nature, was always the same: his eye spoke less than his lip; and though Aubrey was near the object of his curiosity, he obtained no greater gratification from it than the constant excitement of vainly wishing to break that mystery, which to his exalted imagination began to assume the appearance of something supernatural.

They soon arrived at Rome, and Aubrey for a time lost sight of his companion; he left him in daily attendance upon the morning circle of an Italian countess, whilst he went in search of the memorials of another almost deserted city. Whilst he was thus engaged, letters arrived from England, which he opened with eager impatience; the first was from his sister, breathing nothing but affection; the others were from his guardians, the latter astonished him; if it had before entered into his imagination that there was an evil power resident in his companion, these seemed to give him sufficient reason for the belief. His guardians insisted upon his immediately leaving his friend, and urged, that his character was dreadfully vicious, for that the possession of irresistible powers of seduction, rendered his licentious habits more dangerous to society. It had been discovered, that his contempt for the adultress had not originated in hatred of her character; but that he had required, to enhance his gratification, that his victim, the partner of his guilt, should be hurled from the pinnacle of unsullied virtue, down to the lowest abyss of infamy and degradation: in fine, that all those females whom he had sought, apparently on account of their virtue, had, since his departure, thrown even the mask aside, and had not scrupled to expose the whole deformity of their vices to the public gaze.

Aubrey determined upon leaving one, whose character had not yet shown a single bright point on which to rest the eye. He resolved to invent some plausible pretext for abandoning him altogether, purposing, in the mean while, to watch him more closely, and to let no slight circumstances pass by unnoticed. He entered into the same circle, and soon perceived, that his Lordship was endeavouring to work upon the inexperience of the daughter of the lady whose house he chiefly frequented. In Italy, it is seldom that an unmarried female is met with in society; he was therefore obliged to carry on his plans in secret; but Aubrey’s eye followed him in all his windings, and soon discovered that an assignation had been appointed, which would most likely end in the ruin of an innocent, though thoughtless girl. Losing no time, he entered the apartment of Lord Ruthven, and abruptly asked him his intentions with respect to the lady, informing him at the same time that he was aware of his being about to meet her that very night. Lord Ruthven answered, that his intentions were such as he supposed all would have upon such an occasion; and upon being pressed whether he intended to marry her, merely laughed. Aubrey retired; and, immediately writing a note, to say, that from that moment he must decline accompanying his Lordship in the remainder of their proposed tour, he ordered his servant to seek other apartments, and calling upon the mother of the lady, informed her of all he knew, not only with regard to her daughter, but also concerning the character of his Lordship. The assignation was prevented. Lord Ruthven next day merely sent his servant to notify his complete assent to a separation; but did not hint any suspicion of his plans having been foiled by Aubrey’s interposition.

Having left Rome, Aubrey directed his steps towards Greece, and crossing the Peninsula, soon found himself at Athens. He then fixed his residence in the house of a Greek; and soon occupied himself in tracing the faded records of ancient glory upon monuments that apparently, ashamed of chronicling the deeds of freemen only before slaves, had hidden themselves beneath the sheltering soil or many coloured lichen. Under the same roof as himself, existed a being, so beautiful and delicate, that she might have formed the model for a painter wishing to pourtray on canvass the promised hope of the faithful in Mahomet’s paradise, save that her eyes spoke too much mind for any one to think she could belong to those who had no souls. As she danced upon the plain, or tripped along the mountain’s side, one would have thought the gazelle a poor type of her beauties; for who would have exchanged her eye, apparently the eye of animated nature, for that sleepy luxurious look of the animal suited but to the taste of an epicure. The light step of Ianthe often accompanied Aubrey in his search after antiquities, and often would the unconscious girl, engaged in the pursuit of a Kashmere butterfly, show the whole beauty of her form, floating as it were upon the wind, to the eager gaze of him, who forgot the letters he had just decyphered upon an almost effaced tablet, in the contemplation of her sylph-like figure. Often would her tresses falling, as she flitted around, exhibit in the sun’s ray such delicately brilliant and swiftly fading hues, it might well excuse the forgetfulness of the antiquary, who let escape from his mind the very object he had before thought of vital importance to the proper interpretation of a passage in Pausanias. But why attempt to describe charms which all feel, but none can appreciate?—It was innocence, youth, and beauty, unaffected by crowded drawing-rooms and stifling balls. Whilst he drew those remains of which he wished to preserve a memorial for his future hours, she would stand by, and watch the magic effects of his pencil, in tracing the scenes of her native place; she would then describe to him the circling dance upon the open plain, would paint, to him in all the glowing colours of youthful memory, the marriage pomp she remembered viewing in her infancy; and then, turning to subjects that had evidently made a greater impression upon her mind, would tell him all the supernatural tales of her nurse. Her earnestness and apparent belief of what she narrated, excited the interest even of Aubrey; and often as she told him the tale of the living vampyre, who had passed years amidst his friends, and dearest ties, forced every year, by feeding upon the life of a lovely female to prolong his existence for the ensuing months, his blood would run cold, whilst he attempted to laugh her out of such idle and horrible fantasies; but Ianthe cited to him the names of old men, who had at last detected one living among themselves, after several of their near relatives and children had been found marked with the stamp of the fiend’s appetite; and when she found him so incredulous, she begged of him to believe her, for it had been, remarked, that those who had dared to question their existence, always had some proof given, which obliged them, with grief and heartbreaking, to confess it was true. She detailed to him the traditional appearance of these monsters, and his horror was increased, by hearing a pretty accurate description of Lord Ruthven; he, however, still persisted in persuading her, that there could be no truth in her fears, though at the same time he wondered at the many coincidences which had all tended to excite a belief in the supernatural power of Lord Ruthven.

Aubrey began to attach himself more and more to Ianthe; her innocence, so contrasted with all the affected virtues of the women among whom he had sought for his vision of romance, won his heart; and while he ridiculed the idea of a young man of English habits, marrying an uneducated Greek girl, still he found himself more and more attached to the almost fairy form before him. He would tear himself at times from her, and, forming a plan for some antiquarian research, he would depart, determined not to return until his object was attained; but he always found it impossible to fix his attention upon the ruins around him, whilst in his mind he retained an image that seemed alone the rightful possessor of his thoughts. Ianthe was unconscious of his love, and was ever the same frank infantile being he had first known. She always seemed to part from him with reluctance; but it was because she had no longer any one with whom she could visit her favourite haunts, whilst her guardian was occupied in sketching or uncovering some fragment which had yet escaped the destructive hand of time. She had appealed to her parents on the subject of Vampyres, and they both, with several present, affirmed their existence, pale with horror at the very name. Soon after, Aubrey determined to proceed upon one of his excursions, which was to detain him for a few hours; when they heard the name of the place, they all at once begged of him not to return at night, as he must necessarily pass through a wood, where no Greek would ever remain, after the day had closed, upon any consideration. They described it as the resort of the vampyres in their nocturnal orgies, and denounced the most heavy evils as impending upon him who dared to cross their path. Aubrey made light of their representations, and tried to laugh them out of the idea; but when he saw them shudder at his daring thus to mock a superior, infernal power, the very name of which apparently made their blood freeze, he was silent.

Next morning Aubrey set off upon his excursion unattended; he was surprised to observe the melancholy face of his host, and was concerned to find that his words, mocking the belief of those horrible fiends, had inspired them with such terror. When he was about to depart, Ianthe came to the side of his horse, and earnestly begged of him to return, ere night allowed the power of these beings to be put in action;—he promised. He was, however, so occupied in his research, that he did not perceive that day-light would soon end, and that in the horizon there was one of those specks which, in the warmer climates, so rapidly gather into a tremendous mass, and pour all their rage upon the devoted country.—He at last, however, mounted his horse, determined to make up by speed for his delay: but it was too late. Twilight, in these southern climates, is almost unknown; immediately the sun sets, night begins: and ere he had advanced far, the power of the storm was above—its echoing thunders had scarcely an interval of rest—its thick heavy rain forced its way through the canopying foliage, whilst the blue forked lightning seemed to fall and radiate at his very feet. Suddenly his horse took fright, and he was carried with dreadful rapidity through the entangled forest. The animal at last, through fatigue, stopped, and he found, by the glare of lightning, that he was in the neighbourhood of a hovel that hardly lifted itself up from the masses of dead leaves and brushwood which surrounded it. Dismounting, he approached, hoping to find some one to guide him to the town, or at least trusting to obtain shelter from the pelting of the storm. As he approached, the thunders, for a moment silent, allowed him to hear the dreadful shrieks of a woman mingling with the stifled, exultant mockery of a laugh, continued in one almost unbroken sound;—he was startled: but, roused by the thunder which again rolled over his head, he, with a sudden effort, forced open the door of the hut. He found himself in utter darkness: the sound, however, guided him. He was apparently unperceived; for, though he called, still the sounds continued, and no notice was taken of him. He found himself in contact with some one, whom he immediately seized; when a voice cried, “Again baffled!” to which a loud laugh succeeded; and he felt himself grappled by one whose strength seemed superhuman: determined to sell his life as dearly as he could, he struggled; but it was in vain: he was lifted from his feet and hurled with enormous force against the ground:—his enemy threw himself upon him, and kneeling upon his breast, had placed his hands upon his throat—when the glare of many torches penetrating through the hole that gave light in the day, disturbed him;—he instantly rose, and, leaving his prey, rushed through the door, and in a moment the crashing of the branches, as he broke through the wood, was no longer heard. The storm was now still; and Aubrey, incapable of moving, was soon heard by those without. They entered; the light of their torches fell upon the mud walls, and the thatch loaded on every individual straw with heavy flakes of soot. At the desire of Aubrey they searched for her who had attracted him by her cries; he was again left in darkness; but what was his horror, when the light of the torches once more burst upon him, to perceive the airy form of his fair conductress brought in a lifeless corse. He shut his eyes, hoping that it was but a vision arising from his disturbed imagination; but he again saw the same form, when he unclosed them, stretched by his side. There was no colour upon her cheek, not even upon her lip; yet there was a stillness about her face that seemed almost as attaching as the life that once dwelt there:—upon her neck and breast was blood, and upon her throat were the marks of teeth having opened the vein:—to this the men pointed, crying, simultaneously struck with horror, “A Vampyre! a Vampyre!” A litter was quickly formed, and Aubrey was laid by the side of her who had lately been to him the object of so many bright and fairy visions, now fallen with the flower of life that had died within her. He knew not what his thoughts were—his mind was benumbed and seemed to shun reflection, and take refuge in vacancy—he held almost unconsciously in his hand a naked dagger of a particular construction, which had been found in the hut. They were soon met by different parties who had been engaged in the search of her whom a mother had missed. Their lamentable cries, as they approached the city, forewarned the parents of some dreadful catastrophe. —To describe their grief would be impossible; but when they ascertained the cause of their child’s death, they looked at Aubrey, and pointed to the corse. They were inconsolable; both died broken-hearted.

Aubrey being put to bed was seized with a most violent fever, and was often delirious; in these intervals he would call upon Lord Ruthven and upon Ianthe—by some unaccountable combination he seemed to beg of his former companion to spare the being he loved. At other times he would imprecate maledictions upon his head, and curse him as her destroyer. Lord Ruthven, chanced at this time to arrive at Athens, and, from whatever motive, upon hearing of the state of Aubrey, immediately placed himself in the same house, and became his constant attendant. When the latter recovered from his delirium, he was horrified and startled at the sight of him whose image he had now combined with that of a Vampyre; but Lord Ruthven, by his kind words, implying almost repentance for the fault that had caused their separation, and still more by the attention, anxiety, and care which he showed, soon reconciled him to his presence. His lordship seemed quite changed; he no longer appeared that apathetic being who had so astonished Aubrey; but as soon as his convalescence began to be rapid, he again gradually retired into the same state of mind, and Aubrey perceived no difference from the former man, except that at times he was surprised to meet his gaze fixed intently upon him, with a smile of malicious exultation playing upon his lips: he knew not why, but this smile haunted him. During the last stage of the invalid’s recovery, Lord Ruthven was apparently engaged in watching the tideless waves raised by the cooling breeze, or in marking the progress of those orbs, circling, like our world, the moveless sun;—indeed, he appeared to wish to avoid the eyes of all.

Aubrey’s mind, by this shock, was much weakened, and that elasticity of spirit which had once so distinguished him now seemed to have fled for ever. He was now as much a lover of solitude and silence as Lord Ruthven; but much as he wished for solitude, his mind could not find it in the neighbourhood of Athens; if he sought it amidst the ruins he had formerly frequented, Ianthe’s form stood by his side—if he sought it in the woods, her light step would appear wandering amidst the underwood, in quest of the modest violet; then suddenly turning round, would show, to his wild imagination, her pale face and wounded throat, with a meek smile upon her lips. He determined to fly scenes, every feature of which created such bitter associations in his mind. He proposed to Lord Ruthven, to whom he held himself bound by the tender care he had taken of him during his illness, that they should visit those parts of Greece neither had yet seen. They travelled in every direction, and sought every spot to which a recollection could be attached: but though they thus hastened from place to place, yet they seemed not to heed what they gazed upon. They heard much of robbers, but they gradually began to slight these reports, which they imagined were only the invention of individuals, whose interest it was to excite the generosity of those whom they defended from pretended dangers. In consequence of thus neglecting the advice of the inhabitants, on one occasion they travelled with only a few guards, more to serve as guides than as a defence. Upon entering, however, a narrow defile, at the bottom of which was the bed of a torrent, with large masses of rock brought down from the neighbouring precipices, they had reason to repent their negligence; for scarcely were the whole of the party engaged in the narrow pass, when they were startled by the whistling of bullets close to their heads, and by the echoed report of several guns. In an instant their guards had left them, and, placing themselves behind rocks, had begun to fire in the direction whence the report came. Lord Ruthven and Aubrey, imitating their example, retired for a moment behind the sheltering turn of the defile: but ashamed of being thus detained by a foe, who with insulting shouts bade them advance, and being exposed to unresisting slaughter, if any of the robbers should climb above and take them in the rear, they determined at once to rush forward in search of the enemy. Hardly had they lost the shelter of the rock, when Lord Ruthven received a shot in the shoulder, which brought him to the ground. Aubrey hastened to his assistance; and, no longer heeding the contest or his own peril, was soon surprised by seeing the robbers’ faces around him—his guards having, upon Lord Ruthven’s being wounded, immediately thrown up their arms and surrendered.

By promises of great reward, Aubrey soon induced them to convey his wounded friend to a neighbouring cabin; and having agreed upon a ransom, he was no more disturbed by their presence—they being content merely to guard the entrance till their comrade should return with the promised sum, for which he had an order. Lord Ruthven’s strength rapidly decreased; in two days mortification ensued, and death seemed advancing with hasty steps. His conduct and appearance had not changed; he seemed as unconscious of pain as he had been of the objects about him: but towards the close of the last evening, his mind became apparently uneasy, and his eye often fixed upon Aubrey, who was induced to offer his assistance with more than usual earnestness—”Assist me! you may save me—you may do more than that—I mean not my life, I heed the death of my existence as little as that of the passing day; but you may save my honour, your friend’s honour.”—”How? tell me how? I would do any thing,” replied Aubrey.—”I need but little—my life ebbs apace—I cannot explain the whole—but if you would conceal all you know of me, my honour were free from stain in the world’s mouth—and if my death were unknown for some time in England—I—I—but life.”—”It shall not be known.”—”Swear!” cried the dying man, raising himself with exultant violence, “Swear by all your soul reveres, by all your nature fears, swear that, for a year and a day you will not impart your knowledge of my crimes or death to any living being in any way, whatever may happen, or whatever you may see. “—His eyes seemed bursting from their sockets: “I swear!” said Aubrey; he sunk laughing upon his pillow, and breathed no more.

Aubrey retired to rest, but did not sleep; the many circumstances attending his acquaintance with this man rose upon his mind, and he knew not why; when he remembered his oath a cold shivering came over him, as if from the presentiment of something horrible awaiting him. Rising early in the morning, he was about to enter the hovel in which he had left the corpse, when a robber met him, and informed him that it was no longer there, having been conveyed by himself and comrades, upon his retiring, to the pinnacle of a neighbouring mount, according to a promise they had given his lordship, that it should be exposed to the first cold ray of the moon that rose after his death. Aubrey astonished, and taking several of the men, determined to go and bury it upon the spot where it lay. But, when he had mounted to the summit he found no trace of either the corpse or the clothes, though the robbers swore they pointed out the identical rock on which they had laid the body. For a time his mind was bewildered in conjectures, but he at last returned, convinced that they had buried the corpse for the sake of the clothes.

Weary of a country in which he had met with such terrible misfortunes, and in which all apparently conspired to heighten that superstitious melancholy that had seized upon his mind, he resolved to leave it, and soon arrived at Smyrna. While waiting for a vessel to convey him to Otranto, or to Naples, he occupied himself in arranging those effects he had with him belonging to Lord Ruthven. Amongst other things there was a case containing several weapons of offence, more or less adapted to ensure the death of the victim. There were several daggers and ataghans. Whilst turning them over, and examining their curious forms, what was his surprise at finding a sheath apparently ornamented in the same style as the dagger discovered in the fatal hut—he shuddered—hastening to gain further proof, he found the weapon, and his horror may be imagined when he discovered that it fitted, though peculiarly shaped, the sheath he held in his hand. His eyes seemed to need no further certainty—they seemed gazing to be bound to the dagger; yet still he wished to disbelieve; but the particular form, the same varying tints upon the haft and sheath were alike in splendour on both, and left no room for doubt; there were also drops of blood on each.

He left Smyrna, and on his way home, at Rome, his first inquiries were concerning the lady he had attempted to snatch from Lord Ruthven’s seductive arts. Her parents were in distress, their fortune ruined, and she had not been heard of since the departure of his lordship. Aubrey’s mind became almost broken under so many repeated horrors; he was afraid that this lady had fallen a victim to the destroyer of Ianthe. He became morose and silent; and his only occupation consisted in urging the speed of the postilions, as if he were going to save the life of some one he held dear. He arrived at Calais; a breeze, which seemed obedient to his will, soon wafted him to the English shores; and he hastened to the mansion of his fathers, and there, for a moment, appeared to lose, in the embraces and caresses of his sister, all memory of the past. If she before, by her infantine caresses, had gained his affection, now that the woman began to appear, she was still more attaching as a companion.

Miss Aubrey had not that winning grace which gains the gaze and applause of the drawing-room assemblies. There was none of that light brilliancy which only exists in the heated atmosphere of a crowded apartment. Her blue eye was never lit up by the levity of the mind beneath. There was a melancholy charm about it which did not seem to arise from misfortune, but from some feeling within, that appeared to indicate a soul conscious of a brighter realm. Her step was not that light footing, which strays where’er a butterfly or a colour may attract—it was sedate and pensive. When alone, her face was never brightened by the smile of joy; but when her brother breathed to her his affection, and would in her presence forget those griefs she knew destroyed his rest, who would have exchanged her smile for that of the voluptuary? It seemed as if those eyes,—that face were then playing in the light of their own native sphere. She was yet only eighteen, and had not been presented to the world, it having been thought by her guardians more fit that her presentation should be delayed until her brother’s return from the continent, when he might be her protector. It was now, therefore, resolved that the next drawing-room, which was fast approaching, should be the epoch of her entry into the “busy scene.” Aubrey would rather have remained in the mansion of his fathers, and fed upon the melancholy which overpowered him. He could not feel interest about the frivolities of fashionable strangers, when his mind had been so torn by the events he had witnessed; but he determined to sacrifice his own comfort to the protection of his sister. They soon arrived in town, and prepared for the next day, which had been announced as a drawing-room.

The crowd was excessive—a drawing-room had not been held for a long time, and all who were anxious to bask in the smile of royalty, hastened thither. Aubrey was there with his sister. While he was standing in a corner by himself, heedless of all around him, engaged in the remembrance that the first time he had seen Lord Ruthven was in that very place—he felt himself suddenly seized by the arm, and a voice he recognized too well, sounded in his ear—”Remember your oath.” He had hardly courage to turn, fearful of seeing a spectre that would blast him, when he perceived, at a little distance, the same figure which had attracted his notice on this spot upon his first entry into society. He gazed till his limbs almost refusing to bear their weight, he was obliged to take the arm of a friend, and forcing a passage through the crowd, he threw himself into his carriage, and was driven home. He paced the room with hurried steps, and fixed his hands upon his head, as if he were afraid his thoughts were bursting from his brain. Lord Ruthven again before him—circumstances started up in dreadful array—the dagger—his oath.—He roused himself, he could not believe it possible—the dead rise again!—He thought his imagination had conjured up the image his mind was resting upon. It was impossible that it could be real—he determined, therefore, to go again into society; for though he attempted to ask concerning Lord Ruthven, the name hung upon his lips, and he could not succeed in gaining information. He went a few nights after with his sister to the assembly of a near relation. Leaving her under the protection of a matron, he retired into a recess, and there gave himself up to his own devouring thoughts. Perceiving, at last, that many were leaving, he roused himself, and entering another room, found his sister surrounded by several, apparently in earnest conversation; he attempted to pass and get near her, when one, whom he requested to move, turned round, and revealed to him those features he most abhorred. He sprang forward, seized his sister’s arm, and, with hurried step, forced her towards the street: at the door he found himself impeded by the crowd of servants who were waiting for their lords; and while he was engaged in passing them, he again heard that voice whisper close to him—”Remember your oath!”—He did not dare to turn, but, hurrying his sister, soon reached home.

Aubrey became almost distracted. If before his mind had been absorbed by one subject, how much more completely was it engrossed, now that the certainty of the monster’s living again pressed upon his thoughts. His sister’s attentions were now unheeded, and it was in vain that she intreated him to explain to her what had caused his abrupt conduct. He only uttered a few words, and those terrified her. The more he thought, the more he was bewildered. His oath startled him;—was he then to allow this monster to roam, bearing ruin upon his breath, amidst all he held dear, and not avert its progress? His very sister might have been touched by him. But even if he were to break his oath, and disclose his suspicions, who would believe him? He thought of employing his own hand to free the world from such a wretch; but death, he remembered, had been already mocked. For days he remained in this state; shut up in his room, he saw no one, and ate only when his sister came, who, with eyes streaming with tears, besought him, for her sake, to support nature. At last, no longer capable of bearing stillness and solitude, he left his house, roamed from street to street, anxious to fly that image which haunted him. His dress became neglected, and he wandered, as often exposed to the noon-day sun as to the midnight damps. He was no longer to be recognized; at first he returned with the evening to the house; but at last he laid him down to rest wherever fatigue overtook him. His sister, anxious for his safety, employed people to follow him; but they were soon distanced by him who fled from a pursuer swifter than any—from thought. His conduct, however, suddenly changed. Struck with the idea that he left by his absence the whole of his friends, with a fiend amongst them, of whose presence they were unconscious, he determined to enter again into society, and watch him closely, anxious to forewarn, in spite of his oath, all whom Lord Ruthven approached with intimacy. But when he entered into a room, his haggard and suspicious looks were so striking, his inward shudderings so visible, that his sister was at last obliged to beg of him to abstain from seeking, for her sake, a society which affected him so strongly. When, however, remonstrance proved unavailing, the guardians thought proper to interpose, and, fearing that his mind was becoming alienated, they thought it high time to resume again that trust which had been before imposed upon them by Aubrey’s parents.

Desirous of saving him from the injuries and sufferings he had daily encountered in his wanderings, and of preventing him from exposing to the general eye those marks of what they considered folly, they engaged a physician to reside in the house, and take constant care of him. He hardly appeared to notice it, so completely was his mind absorbed by one terrible subject. His incoherence became at last so great, that he was confined to his chamber. There he would often lie for days, incapable of being roused. He had become emaciated, his eyes had attained a glassy lustre;—the only sign of affection and recollection remaining displayed itself upon the entry of his sister; then he would sometimes start, and, seizing her hands, with looks that severely afflicted her, he would desire her not to touch him. “Oh, do not touch him—if your love for me is aught, do not go near him!” When, however, she inquired to whom he referred, his only answer was, “True! true!” and again he sank into a state, whence not even she could rouse him. This lasted many months: gradually, however, as the year was passing, his incoherences became less frequent, and his mind threw off a portion of its gloom, whilst his guardians observed, that several times in the day he would count upon his fingers a definite number, and then smile.

The time had nearly elapsed, when, upon the last day of the year, one of his guardians entering his room, began to converse with his physician upon the melancholy circumstance of Aubrey’s being in so awful a situation, when his sister was going next day to be married. Instantly Aubrey’s attention was attracted; he asked anxiously to whom. Glad of this mark of returning intellect, of which they feared he had been deprived, they mentioned the name of the Earl of Marsden. Thinking this was a young Earl whom he had met with in society, Aubrey seemed pleased, and astonished them still more by his expressing his intention to be present at the nuptials, and desiring to see his sister. They answered not, but in a few minutes his sister was with him. He was apparently again capable of being affected by the influence of her lovely smile; for he pressed her to his breast, and kissed her cheek, wet with tears, flowing at the thought of her brother’s being once more alive to the feelings of affection. He began to speak with all his wonted warmth, and to congratulate her upon her marriage with a person so distinguished for rank and every accomplishment; when he suddenly perceived a locket upon her breast; opening it, what was his surprise at beholding the features of the monster who had so long influenced his life. He seized the portrait in a paroxysm of rage, and trampled it under foot. Upon her asking him why he thus destroyed the resemblance of her future husband, he looked as if he did not understand her—then seizing her hands, and gazing on her with a frantic expression of countenance, he bade her swear that she would never wed this monster, for he—— But he could not advance—it seemed as if that voice again bade him remember his oath—he turned suddenly round, thinking Lord Ruthven was near him but saw no one. In the meantime the guardians and physician, who had heard the whole, and thought this was but a return of his disorder, entered, and forcing him from Miss Aubrey, desired her to leave him. He fell upon his knees to them, he implored, he begged of them to delay but for one day. They, attributing this to the insanity they imagined had taken possession of his mind, endeavoured to pacify him, and retired.

Lord Ruthven had called the morning after the drawing-room, and had been refused with every one else. When he heard of Aubrey’s ill health, he readily understood himself to be the cause of it; but when he learned that he was deemed insane, his exultation and pleasure could hardly be concealed from those among whom he had gained this information. He hastened to the house of his former companion, and, by constant attendance, and the pretence of great affection for the brother and interest in his fate, he gradually won the ear of Miss Aubrey. Who could resist his power? His tongue had dangers and toils to recount—could speak of himself as of an individual having no sympathy with any being on the crowded earth, save with her to whom he addressed himself;—could tell how, since he knew her, his existence, had begun to seem worthy of preservation, if it were merely that he might listen to her soothing accents;—in fine, he knew so well how to use the serpent’s art, or such was the will of fate, that he gained her affections. The title of the elder branch falling at length to him, he obtained an important embassy, which served as an excuse for hastening the marriage, (in spite of her brother’s deranged state,) which was to take place the very day before his departure for the continent.

Aubrey, when he was left by the physician and his guardians, attempted to bribe the servants, but in vain. He asked for pen and paper; it was given him; he wrote a letter to his sister, conjuring her, as she valued her own happiness, her own honour, and the honour of those now in the grave, who once held her in their arms as their hope and the hope of their house, to delay but for a few hours that marriage, on which he denounced the most heavy curses. The servants promised they would deliver it; but giving it to the physician, he thought it better not to harass any more the mind of Miss Aubrey by, what he considered, the ravings of a maniac. Night passed on without rest to the busy inmates of the house; and Aubrey heard, with a horror that may more easily be conceived than described, the notes of busy preparation. Morning came, and the sound of carriages broke upon his ear. Aubrey grew almost frantic. The curiosity of the servants at last overcame their vigilance, they gradually stole away, leaving him in the custody of an helpless old woman. He seized the opportunity, with one bound was out of the room, and in a moment found himself in the apartment where all were nearly assembled. Lord Ruthven was the first to perceive him: he immediately approached, and, taking his arm by force, hurried him from the room, speechless with rage. When on the staircase, Lord Ruthven whispered in his ear—”Remember your oath, and know, if not my bride to day, your sister is dishonoured. Women are frail!” So saying, he pushed him towards his attendants, who, roused by the old woman, had come in search of him. Aubrey could no longer support himself; his rage not finding vent, had broken a blood-vessel, and he was conveyed to bed. This was not mentioned to his sister, who was not present when he entered, as the physician was afraid of agitating her. The marriage was solemnized, and the bride and bridegroom left London.

Aubrey’s weakness increased; the effusion of blood produced symptoms of the near approach of death. He desired his sister’s guardians might be called, and when the midnight hour had struck, he related composedly what the reader has perused—he died immediately after.

The guardians hastened to protect Miss Aubrey; but when they arrived, it was too late. Lord Ruthven had disappeared, and Aubrey’s sister had glutted the thirst of a VAMPYRE!


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Dawn Pisturino

September 23, 2021

Copyright 2021 Dawn Pisturino. All Rights Reserved.

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