THE GIRL WHO HATED THE SUN

she hated the sun

how it filled up heaven

with energy and light

too hot and bright . . .

The poem popped into Katie’s head as she stood on the front porch, eyes closed, arms wide open, daring the Sun to kill her. Kill me, she urged, like you spoiled our farm, drove away my father, and wasted my mother. Go ahead. Do it!

The Sun swallowed her whole, dissolving her in his fiery belly.

Now that she was part of the Sun, Katie could ride through the heavens and visualize everything that happened down below.

She saw the grim black hearse pull up to the farm, and wept, as two men in plain black suits carried her mother away on a gurney. She sailed freely over the dusty brown fields that no longer yielded crops. She mourned the beds of sunflowers whose heads sagged, like dying children, out by the barn. And she said good-bye to the rusty old truck that sat, without tires, in a patch of yellow weeds.

Soon, the Pacific Ocean sparkled down below. Dolphins leaped among the waves. Throngs of people crowded the streets of Beijing, scurrying around like busy mice. Katie soared above the icy peaks of the Himalayas and swooped down to burn the white sands of Arabia. She waved at the Statue of Liberty, rejoicing that she finally got to see it.

And then she was home again, viewing the crumbling barn in pinkish light that gradually turned to yellow. She counted the shingles missing from the roof of the old house and peeked through the windows of her shabby bedroom.

And the journey repeated itself as the earth slowly turned, like a giant spit — repeated itself, day after day, until Katie cried with weariness and pain.

Now, she hovered over the old farm, shining brightly against a piece of broken glass lying in the withered grass, until one small yellow flame burst forth, catching the grass on fire. A passing breeze nudged the fire toward the house. The splintered wood burned brightly, throwing sparks into the sky. The old barn caught the sparks and exploded, fueled by old cans of paint. Showers of burning wood and straw ignited the patch of weeds. The ripped out upholstery in the old truck burst into flame. The oil pan smoldered, sending black smoke into the sky. And finally, with one burst of energy, the fuel tank exploded.

With grim satisfaction Katie cried, “I’ve killed it! I’ve killed my past life!” She snuggled up to the Sun, melting deeper into his fiery depths . . . while down below, a tiny piece of the world disappeared forever.

Dawn Pisturino

November 14, 2012

Copyright 2012-2015 Dawn Pisturino. All Rights Reserved.

Concert for the Dead

Story by Dawn Pisturino

Artwork by Job van Gelder

Ariel knelt before the marble niche holding the remains of her dead older brother and placed a bouquet of roses in the stone vase. Six months had passed since the horrible night a drunk driver had taken Jonathan’s life. She would never forget.

“Coach Willis still talks about you, Jonathan,” Ariel said, tracing the carved letters of his name with trembling fingers. “Nobody’s beaten your track record. You were the best. You always will be.”

She pulled some sheet music from her backpack. “The opera club is doing Purcell this year. I got the lead role. I’m so excited!” She began to sing:

“When I am laid, am laid in earth, may my wrongs create

No trouble, no trouble in thy breast;

Remember me, remember me, but ah! forget my fate . . .”*

The haunting elegy echoed through the halls of the Great Mausoleum, bringing tears to Ariel’s eyes. As the last melancholy note faded away, the mausoleum doors slammed shut. The lights flickered and dimmed.

Icy panic clawed at Ariel’s chest. She could hardly breathe. Then a long, agonizing scream tore from her throat.

She ran to the entrance and pushed against the heavy metal doors. Locked.  She searched for an intercom or emergency button. Nothing.

“Let me out!” she cried, pounding on the door. “It’s not closing time!”

Voices whispered all around her.

“No!” she howled, throwing her weight against the unyielding door.

The whispers grew louder. “We’ll let you out when the concert is over.”

 “W-what c-concert?” Ariel stammered, searching the empty air.

“The Concert for the Dead.”

And then she saw them, gliding down the dark corridors, the eerie inhabitants of this condominium for the dead.

They crowded into the main hall, hundreds of them, the ghastly and the beautiful.

Men dressed in military uniforms soaked with blood, arms ripped away, legs shredded at the knees, and heads split open, eyeballs dangling from their sockets.

Women gowned in rustling silk, faded and torn, ringlets framing faces eaten away by worms. Pale young mothers with tragic eyes, carrying shriveled up babies in their arms.

Dead children glared at Ariel with menacing faces, their transparent fingers clutching moth-eaten ragdolls and time-worn teddy bears.

An orchestra appeared. Skeletons with shreds of rotting flesh hanging from their bones. The conductor raised his baton, and the slow, plaintive strains of a violin filled the air. He

turned and looked at Ariel with one putrid eye, motioning her to begin.

I know this song. I can do it. Shaking with fear, she dug her fingernails into her palms and began to sing:

“None but the lonely heart can know my sadness

Alone and parted far from joy and gladness . . .”**

She sang until the sun disappeared and the stained glass windows lost their color. She sang until the moon ran its course and the stars began to fade. Finally, her throat too parched and raw to continue, she pleaded:

“The concert’s over. Please let me go.”

Hushed whispers rippled through the audience. Then a lone figure broke through the crowd.

“Jonathan!” Ariel cried, grateful to see a familiar face.

Smiling, he extended his arms to her. “We don’t want you to leave,” Jonathan said, drawing her close. “We want you to sing for us forever and ever and ever . . .”

Cold waxy fingers tightened around her throat. In the background, the orchestra played a quiet requiem.

* * *

When the groundskeeper found Ariel’s body the next morning, he noticed two peculiar things. Her throat was purple with finger marks, and her hair had turned completely white.

Copyright 2011-2014 Dawn Pisturino. All Rights Reserved.

This story is dedicated to my daughter, lyric soprano Ariel Pisturino

Published in the November 2011 issue of Underneath the Juniper Tree. Read it here.

Published on Brooklyn Voice, February 2012. Read it here.

Artwork by Asheka Troberg

*“Dido’s Lament,” from Dido & Aeneas by Henry Purcell

**“None but the Lonely Heart,” by Pyotr Tchaikovsky and J.W. Goethe

 Happy Halloween!